1980年代中國(guó)大陸女性詩(shī)歌中的“房間”意象研究
發(fā)布時(shí)間：2019-06-21 19:02
【摘要】：作為我國(guó)文學(xué)理論傳統(tǒng)中優(yōu)秀的批評(píng)形式之一,意象批評(píng)一直是文學(xué)研究的熱點(diǎn),因此對(duì)中國(guó)女性主義詩(shī)歌進(jìn)行意象審美分析也成為我們探究女性詩(shī)歌至關(guān)重要的一環(huán)�！胺块g”意象作為在女性詩(shī)歌中出現(xiàn)頻率較高的意象之一,其與女性內(nèi)在世界有著千絲萬縷的聯(lián)系。本文從“房間”意象切入八十年代中國(guó)大陸女性詩(shī)歌進(jìn)行文本分析,立足于女性視角,重點(diǎn)關(guān)注女性詩(shī)人獨(dú)特的審美藝術(shù),以及在女性經(jīng)驗(yàn)、女性意識(shí)、女性生命意識(shí)和文化心理等投注下,“房間”所呈現(xiàn)的藝術(shù)價(jià)值和女性思想內(nèi)涵,將探索女性精神成長(zhǎng)和主體建構(gòu)過程作為文章的重點(diǎn)進(jìn)行有意義的分析探討。本文共分四個(gè)部分:緒論主要闡明論文的選題原因、研究的方法及意義,并梳理與之相關(guān)的國(guó)內(nèi)外研究狀況。第一章著重梳理“房間”意象的傳統(tǒng)文學(xué)內(nèi)涵,以及女性主義作家對(duì)“房間”的書寫,分析八十年代女性詩(shī)人偏好“房間”意象入詩(shī)的原因,并認(rèn)為她們與“房間”的關(guān)系是既回歸又沖突的矛盾體,這與女性自身的社會(huì)文化身份、生命體驗(yàn)、對(duì)社會(huì)的認(rèn)知以及自我意識(shí)有著莫大的關(guān)系。論文的主體部分將女性視角與女性文本分析相融合,分析“房間”意象的文本內(nèi)蘊(yùn)。透過詩(shī)歌字里行間浸潤(rùn)的女性思維閃光把握內(nèi)在的女性情感、心理內(nèi)蘊(yùn),而不單單只從社會(huì)學(xué)角度的女性立場(chǎng)去考察女性詩(shī)歌的創(chuàng)作情況,以求達(dá)到詩(shī)歌鑒賞與文化探究的相得益彰。這部分將分為三個(gè)部分進(jìn)行闡釋,分別是“房間”在女性生存狀態(tài)和精神成長(zhǎng)過程中的作用以及女性角色的變化與房間的關(guān)系。第三章揭示女性詩(shī)歌寫作“房間”意象所產(chǎn)生的意義,女性詩(shī)歌“房間”意象的運(yùn)用拓展了女性審美意象體系、開闊了女性精神空間、促進(jìn)了女性生命意識(shí)的加強(qiáng)以及女性主體意識(shí)藉此更加高揚(yáng)。最后一章是本論文的收束和總括。女性“房間”意象的詩(shī)歌運(yùn)用系統(tǒng)展示了當(dāng)代女性詩(shī)人生命意識(shí)和主體意識(shí)逐漸強(qiáng)壯起來的過程,同時(shí),也使我們看到,女性詩(shī)人從未放棄過與世界對(duì)話的愿望,她們的努力也收獲了豐厚的果實(shí),女性文學(xué)創(chuàng)作的明天必更加美好。
[Abstract]:As one of the excellent forms of criticism in the tradition of literary theory in our country, image criticism has always been the focus of literary research, so the aesthetic analysis of image in Chinese feminist poetry has become an important part of our exploration of female poetry. As one of the most frequent images in female poetry, the image of "room" is inextricably related to women in the world. This paper analyzes the text of female poetry in mainland China from the image of "room" in the 1980s, and focuses on the unique aesthetic art of female poets, as well as the artistic value and female ideological connotation of "room" under the bets of female experience, female consciousness, female life consciousness and cultural psychology. This paper makes a meaningful analysis and discussion on exploring the process of female spiritual growth and subject construction as the focus of the article. This paper is divided into four parts: the introduction mainly expounds the reasons for the topic selection, the methods and significance of the research, and combs the related research status at home and abroad. The first chapter focuses on combing the traditional literary connotation of the image of "room" and the writing of "room" by feminist writers, analyzes the reasons why female poets prefer "room" image into poetry in the 1980s, and holds that the relationship between them and "room" is a contradictory body of both return and conflict, which has great relationship with women's own social and cultural identity, life experience, cognition of society and self-consciousness. The main part of the paper combines the female perspective with the female text analysis, and analyzes the text connotation of the room image. Through the flash of female thinking between the lines of poetry to grasp the internal female emotion and psychological connotation, and not only from the perspective of sociology to investigate the creation of female poetry, in order to achieve poetry appreciation and cultural exploration to complement each other. This part will be divided into three parts to explain, namely, the role of "room" in the process of women's living state and spiritual growth, and the relationship between the change of female role and the room. The third chapter reveals the significance of the image of "room" in the writing of female poetry. The application of the image of "room" in female poetry expands the system of female aesthetic image, broadens the spiritual space of women, promotes the strengthening of women's life consciousness and the female subject consciousness. The last chapter is the summary and summary of this paper. The poetry application of the female "room" image systematically shows the process of the life consciousness and the subject consciousness of the contemporary female poets gradually strengthening. At the same time, it also makes us see that the female poets have never given up their desire to talk to the world, their efforts have also gained rich results, and the tomorrow of the female literary creation will be better.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.25
本文編號(hào)：2504285
[Abstract]:As one of the excellent forms of criticism in the tradition of literary theory in our country, image criticism has always been the focus of literary research, so the aesthetic analysis of image in Chinese feminist poetry has become an important part of our exploration of female poetry. As one of the most frequent images in female poetry, the image of "room" is inextricably related to women in the world. This paper analyzes the text of female poetry in mainland China from the image of "room" in the 1980s, and focuses on the unique aesthetic art of female poets, as well as the artistic value and female ideological connotation of "room" under the bets of female experience, female consciousness, female life consciousness and cultural psychology. This paper makes a meaningful analysis and discussion on exploring the process of female spiritual growth and subject construction as the focus of the article. This paper is divided into four parts: the introduction mainly expounds the reasons for the topic selection, the methods and significance of the research, and combs the related research status at home and abroad. The first chapter focuses on combing the traditional literary connotation of the image of "room" and the writing of "room" by feminist writers, analyzes the reasons why female poets prefer "room" image into poetry in the 1980s, and holds that the relationship between them and "room" is a contradictory body of both return and conflict, which has great relationship with women's own social and cultural identity, life experience, cognition of society and self-consciousness. The main part of the paper combines the female perspective with the female text analysis, and analyzes the text connotation of the room image. Through the flash of female thinking between the lines of poetry to grasp the internal female emotion and psychological connotation, and not only from the perspective of sociology to investigate the creation of female poetry, in order to achieve poetry appreciation and cultural exploration to complement each other. This part will be divided into three parts to explain, namely, the role of "room" in the process of women's living state and spiritual growth, and the relationship between the change of female role and the room. The third chapter reveals the significance of the image of "room" in the writing of female poetry. The application of the image of "room" in female poetry expands the system of female aesthetic image, broadens the spiritual space of women, promotes the strengthening of women's life consciousness and the female subject consciousness. The last chapter is the summary and summary of this paper. The poetry application of the female "room" image systematically shows the process of the life consciousness and the subject consciousness of the contemporary female poets gradually strengthening. At the same time, it also makes us see that the female poets have never given up their desire to talk to the world, their efforts have also gained rich results, and the tomorrow of the female literary creation will be better.
【學(xué)位授予單位】：云南師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：I207.25
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，本文編號(hào)：2504285
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