發(fā)布時(shí)間：2018-05-30 04:43

  本文選題：中國寫實(shí)畫派 + 本體語言��； 參考：《鄭州大學(xué)》2013年碩士論文

【摘要】：油畫語言是一種視覺語言,藝術(shù)家總是通過可視可感的藝術(shù)形象和觀眾對話,而塑造出這種可視形象并能將其感情傳達(dá)給觀賞者的物質(zhì)基礎(chǔ)與精神內(nèi)涵就是油畫的本體語言與精神品格。所謂本體語言就是由畫種的物性材料特征所決定的有別于其他畫種的藝術(shù)語言,換句話來說就是指由特定媒介材料構(gòu)成的形、色、空間、等結(jié)構(gòu)形態(tài),同時(shí)包括構(gòu)成這種結(jié)構(gòu)形態(tài)的技術(shù)和表達(dá)方式。換句話來說油畫的本體語言就是含有油畫所獨(dú)有的特征的語言,即材質(zhì)語言與視覺語言。而精神品格則是藝術(shù)家對歷史文化傳承積淀與文明精神的追求,它包含的全部內(nèi)容即為人們所處時(shí)代環(huán)境、社會環(huán)境中的文化,政治,經(jīng)濟(jì),哲學(xué)等因素,也就是油畫作品通過題材和內(nèi)容所表現(xiàn)出來的對社會、歷史、哲學(xué)、文化等元素的精神內(nèi)涵。作為中國一個權(quán)威的寫實(shí)油畫組織——中國寫實(shí)畫派,集合了中國當(dāng)代較為有實(shí)力的寫實(shí)油畫家,他們尊重寫實(shí),尊重傳統(tǒng)文化,強(qiáng)調(diào)人文和理性精神,堅(jiān)信：沒有傳統(tǒng)就沒有文明。因此他們用平實(shí)的傳統(tǒng)寫實(shí)繪畫語言傳述著非凡的作品精神品格。然而,油畫來自于西方,有著西方的文化內(nèi)質(zhì),而它傳統(tǒng)本體語言在中國寫實(shí)油畫中有了怎樣的發(fā)展呢?中國寫實(shí)畫派這一權(quán)威的寫實(shí)藝術(shù)群體在作品的精神內(nèi)涵與格調(diào)上又有著怎樣的探索呢?
[Abstract]:Oil painting language is a kind of visual language, and artists always talk to the audience through visual images. The material basis and spiritual connotation of creating this visual image and conveying its feelings to the viewer is the Noumenon language and spiritual character of the oil painting. The so-called Noumenon language is the artistic language that is different from other painting types determined by the physical material characteristics of the painting species. In other words, it refers to the form, color, space, and other structural forms composed of specific media materials. At the same time, it includes the technique and expression of the structure form. In other words, the Noumenon language of oil painting is the language which contains the unique features of oil painting, that is, material language and visual language. The spiritual character is the artist's pursuit of the historical and cultural heritage and the civilized spirit. It contains all the elements of culture, politics, economy, philosophy and so on in the environment of the times and the social environment in which people live. This is the spiritual connotation of the elements of society, history, philosophy, culture and so on. As an authoritative realistic oil painting organization in China, the Chinese realistic painting School gathers the more powerful Chinese contemporary realistic oil painters, who respect realism, respect traditional culture, emphasize humanism and rational spirit. Firmly believe that there is no civilization without tradition. As a result, they use plain traditional realistic painting language to convey the extraordinary spiritual character of the work. However, the oil painting comes from the west, has the western culture endoplasm, and its traditional ontology language in the Chinese realistic oil painting has what kind of development? What kind of exploration is there in the spiritual connotation and style of the works of this authoritative realistic art group in China?
【學(xué)位授予單位】：鄭州大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J213

【參考文獻(xiàn)】

相關(guān)重要報(bào)紙文章 前1條

1 殷雙喜;[N];文藝報(bào);2004年

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本文編號：1953994