《唐詩(shī)畫(huà)譜》研究
發(fā)布時(shí)間：2018-08-07 15:21
【摘要】：《唐詩(shī)畫(huà)譜》是由明黃鳳池編輯,蔡沖寰、丁云鵬等于萬(wàn)歷末年繪制的一部詩(shī)畫(huà)合譜選本,全書(shū)共三卷,共收錄唐人五、六、七言詩(shī)佳作各約50首,每首詩(shī)均由大家揮毫而就,除少數(shù)詩(shī)篇外,皆采用一圖一詩(shī)的編排體例,成為梳理明代版刻文化變遷,研究畫(huà)譜作品發(fā)展的寶貴資料。因此書(shū)選詩(shī)精當(dāng),畫(huà)意突出,成書(shū)后影響頗大,流傳甚廣,曾引起不少人的關(guān)注和興趣,也產(chǎn)生了許多與此相關(guān)的研究成果。學(xué)界目前對(duì)《唐詩(shī)畫(huà)譜》的研究雖已取得了一定的成效,但研究點(diǎn)分布比較零散,總體說(shuō)來(lái),迄今為止的研究還不夠全面深入,有些與《唐詩(shī)畫(huà)譜》文本密切相關(guān)的問(wèn)題尚未得到徹底的解決,如編選特色和選本價(jià)值等問(wèn)題還需進(jìn)行更加全面、深入的考察。 本論文是關(guān)于《唐詩(shī)畫(huà)譜》的專題研究,將立足于前人研究成果的基礎(chǔ)上,深入擴(kuò)展,擬從以下四個(gè)方面展開(kāi)論述：第一章探討《唐詩(shī)畫(huà)譜》的編定與流傳,主要是對(duì)其編定背景、編選目的和版本流傳等方面作一定的考察；第二章是對(duì)《唐詩(shī)畫(huà)譜》編選特點(diǎn)的研究,主要從編選體例和選詩(shī)傾向等兩個(gè)方面進(jìn)行論述；第三章著重探究《唐詩(shī)畫(huà)譜》對(duì)明代詩(shī)畫(huà)譜的突破,通過(guò)對(duì)明代畫(huà)譜的格局進(jìn)行梳理并結(jié)合《詩(shī)余畫(huà)譜》相比較,進(jìn)一步闡析《唐詩(shī)畫(huà)譜》在明中后期的新變。最后對(duì)《唐詩(shī)畫(huà)譜》的選本價(jià)值與局限性作一個(gè)簡(jiǎn)單的歸納總結(jié)。
[Abstract]:The Tang Poetry Pictures, edited by Ming Huang Fengchi, Cai Chonghuan and Ding Yunpeng, are an anthology of poems and paintings drawn in the last year of the Wanli calendar. The book contains three volumes of about 50 poems each of the five, six, and seven characters of the Tang Dynasty, each of which is written by everyone. With the exception of a few poems, they all adopt the style of "one picture and one poem", and become valuable materials for combing the cultural changes of the Ming Dynasty edition and studying the development of the works of painting and writing. Therefore, the selection of poetry, painting meaning outstanding, after the book quite big influence, very widespread, has caused the attention and interest of many people, but also produced a lot of research results related to this. Although the academic circles have made some achievements in the study of Tang Poems and paintings, the distribution of the research points is scattered. In general, the research so far has not been thorough enough. Some problems which are closely related to the text of Tang poetry and painting have not yet been solved thoroughly, such as the features of the compilation and the value of the anthology, and so on, which need to be investigated more comprehensively and thoroughly. This thesis is about the special topic study of Tang poetry painting, which will be based on the previous research results, and will expand deeply, and will be discussed from the following four aspects: chapter one discusses the compilation and circulation of Tang Poetry Pictures. The second chapter is the study of the characteristics of the compilation of the Tang Poems and paintings, mainly from two aspects, such as the style of editing and the tendency of poetry selection. The third chapter focuses on exploring the breakthrough of Tang Dynasty's poetry and painting spectrum, combing the pattern of Ming Dynasty's painting spectrum and comparing it with the poem's remaining painting spectrum, and further analyzing the new changes of the Tang Dynasty's painting spectrum in the middle and late Ming Dynasty. At last, it summarizes the value and limitation of the anthology of Tang poetry and painting.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I207.22;J217
本文編號(hào)：2170452
[Abstract]:The Tang Poetry Pictures, edited by Ming Huang Fengchi, Cai Chonghuan and Ding Yunpeng, are an anthology of poems and paintings drawn in the last year of the Wanli calendar. The book contains three volumes of about 50 poems each of the five, six, and seven characters of the Tang Dynasty, each of which is written by everyone. With the exception of a few poems, they all adopt the style of "one picture and one poem", and become valuable materials for combing the cultural changes of the Ming Dynasty edition and studying the development of the works of painting and writing. Therefore, the selection of poetry, painting meaning outstanding, after the book quite big influence, very widespread, has caused the attention and interest of many people, but also produced a lot of research results related to this. Although the academic circles have made some achievements in the study of Tang Poems and paintings, the distribution of the research points is scattered. In general, the research so far has not been thorough enough. Some problems which are closely related to the text of Tang poetry and painting have not yet been solved thoroughly, such as the features of the compilation and the value of the anthology, and so on, which need to be investigated more comprehensively and thoroughly. This thesis is about the special topic study of Tang poetry painting, which will be based on the previous research results, and will expand deeply, and will be discussed from the following four aspects: chapter one discusses the compilation and circulation of Tang Poetry Pictures. The second chapter is the study of the characteristics of the compilation of the Tang Poems and paintings, mainly from two aspects, such as the style of editing and the tendency of poetry selection. The third chapter focuses on exploring the breakthrough of Tang Dynasty's poetry and painting spectrum, combing the pattern of Ming Dynasty's painting spectrum and comparing it with the poem's remaining painting spectrum, and further analyzing the new changes of the Tang Dynasty's painting spectrum in the middle and late Ming Dynasty. At last, it summarizes the value and limitation of the anthology of Tang poetry and painting.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：I207.22;J217
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，本文編號(hào)：2170452
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