新中國近代歷史題材繪畫研究
發(fā)布時間：2018-08-10 17:14
【摘要】：對于有著五千多年文明史的中國來說，，“以史為鑒”是我們?nèi)魏螘r期都不能忽略的行事方法。由此，在中國現(xiàn)當代美術(shù)領(lǐng)域展開對新中國成立以來的近代歷史題材繪畫的研究，就顯得尤其必要，對當代的歷史題材繪畫產(chǎn)生承上啟下的指導意義。 本文以新中國成立至今這段時間中的近代歷史題材繪畫為研究對象，首先梳理了近代歷史題材繪畫的發(fā)展歷程，主要分三個階段：從新中國成立（1949年）到文革之前（1966年）的歷史題材繪畫、文化大革命時期的歷史繪畫題材、文革之后改革開放以來的歷史繪畫題材。之后從歷史畫的創(chuàng)作背景、政治意義和社會功能等角度出發(fā)，探討了中國近代歷史題材繪畫在社會發(fā)展中所起的作用與承擔的責任。并從藝術(shù)史的角度分析近代歷史畫所具有的藝術(shù)性表現(xiàn)，以及在當下新的繪畫環(huán)境中，重新考慮歷史畫的存在因素和社會意義，思考歷史畫應(yīng)該如何發(fā)展。最后，本文結(jié)合筆者的自身繪畫實踐，對新時期歷史畫藝術(shù)語言的拓展作出了自己的思考。
[Abstract]:For China with more than five thousand years of civilization, learning from history is a method we can't ignore at any time. Therefore, it is particularly necessary to carry out the research on modern historical painting since the founding of New China in the field of modern and contemporary Chinese art, which is of guiding significance to contemporary painting of historical subjects. This article regards the modern historical painting in the period of the founding of New China as the research object, firstly combing the development course of the modern historical theme painting. It is divided into three stages: from the founding of New China (1949) to the historical painting before the Cultural Revolution (1966), the historical painting theme of the Cultural Revolution period, and the historical painting theme since the reform and opening up after the Cultural Revolution. From the perspective of historical painting background, political significance and social function, this paper discusses the role and responsibility of Chinese modern historical painting in social development. From the point of view of art history, this paper analyzes the artistic expression of modern historical painting, and in the present new painting environment, reconsiders the existing factors and social significance of historical painting, and thinks about how historical painting should develop. Finally, based on the author's own painting practice, the author makes his own thinking on the development of the artistic language of historical painting in the new period.
【學位授予單位】：西安美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J209.2
本文編號：2175619
[Abstract]:For China with more than five thousand years of civilization, learning from history is a method we can't ignore at any time. Therefore, it is particularly necessary to carry out the research on modern historical painting since the founding of New China in the field of modern and contemporary Chinese art, which is of guiding significance to contemporary painting of historical subjects. This article regards the modern historical painting in the period of the founding of New China as the research object, firstly combing the development course of the modern historical theme painting. It is divided into three stages: from the founding of New China (1949) to the historical painting before the Cultural Revolution (1966), the historical painting theme of the Cultural Revolution period, and the historical painting theme since the reform and opening up after the Cultural Revolution. From the perspective of historical painting background, political significance and social function, this paper discusses the role and responsibility of Chinese modern historical painting in social development. From the point of view of art history, this paper analyzes the artistic expression of modern historical painting, and in the present new painting environment, reconsiders the existing factors and social significance of historical painting, and thinks about how historical painting should develop. Finally, based on the author's own painting practice, the author makes his own thinking on the development of the artistic language of historical painting in the new period.
【學位授予單位】：西安美術(shù)學院
【學位級別】：碩士
【學位授予年份】：2014
【分類號】：J209.2
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本文編號：2175619
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