發(fā)布時(shí)間：2018-08-11 21:23

【摘要】：本文通過對(duì)山水畫皴法歷程的探究，找出了皴法在不同時(shí)代不同階段的特征與各個(gè)時(shí)代畫家對(duì)于皴法語言的理解與運(yùn)用，發(fā)現(xiàn)隨著皴法的發(fā)展，，其象物功能逐漸地減弱，而筆墨表現(xiàn)力卻不斷的增加，證明了皴法的歷程其實(shí)就是一部筆墨的發(fā)展史。接著具體的論述了皴法的筆墨形式。最后根據(jù)皴法歷程中筆墨的不斷發(fā)展以探究其根源，發(fā)現(xiàn)皴法筆墨形式發(fā)展是由歷史原因與畫家的思想情感所導(dǎo)致的。并以此探究出未來皴法的發(fā)展方向，得出皴法發(fā)展的方向應(yīng)是更為強(qiáng)烈的筆墨表現(xiàn)力的結(jié)論。
[Abstract]:Based on the exploration of the process of texturing in landscape paintings, this paper finds out the features of texturing in different periods and the understanding and application of the language of texturing in different times. It is found that with the development of texturing, the function of texturing gradually weakens. And ink expression is constantly increasing, proving that the process of chapping is actually a history of ink. Then, the paper discusses the form of ink and pen of chapping method concretely. Finally, according to the continuous development of brush and ink in the process of texturing, it is found that the development of brush and ink form is caused by historical reasons and painters' thoughts and feelings. The development direction of chapping method in the future was explored, and the conclusion that the development direction of chapping method should be stronger expression of pen and ink was concluded.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J212

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