明清版刻插圖中女性形象的研究
發(fā)布時間：2018-08-11 21:39
【摘要】：明清書籍插圖是中國古代插圖史中最輝煌的一部分，在書籍大量印刷出版的明清時代，優(yōu)秀的插圖無疑能為書籍的內(nèi)容增添更大的可讀性與藝術(shù)價值。而其中一些版刻藝術(shù)家繪制的經(jīng)典女性形象，，更是猶如古代插圖史中琳瑯滿目的璀璨明珠，非常值得我們?nèi)ヌ骄垦杏懀分�，得其傳承�?本文通過對我國古代書籍插圖發(fā)展歷程、傳播方式、藝術(shù)表現(xiàn)形式的演變及其流派的淺析，結(jié)合書籍插圖發(fā)展的巔峰時期——明清兩朝版刻藝術(shù)的表現(xiàn)手法、插圖人物的形貌特征以及人物身份、社會背景等更深層次的學(xué)習(xí)研究，以明清版刻插圖藝術(shù)中的女性形象為主，輔以前朝后代美術(shù)作品中的女性形象、風(fēng)格手筆相為比較，從中更深入地探析明清插圖中相同或相異的女性藝術(shù)形象，兼之為當(dāng)下的藝術(shù)形象塑造研究提供一定的幫助與參考。 同時本文以時間為軸，從早期繪畫中的女性形象述至唐侍女、元戲本、明清小說中的女性形象塑造，橫向結(jié)合其時代社會禮制、審美風(fēng)氣的影響，縱向聯(lián)系明清版刻插圖藝術(shù)的興起與衰落的歷史脈絡(luò)，縷清關(guān)于眾多女性形象的形成原因。 本文將結(jié)合諸多文獻、圖片及歷史資料，探尋明清版刻插圖這一藝術(shù)中潛藏的研究價值，同時將明清版刻插圖藝術(shù)中女性形象的塑造抽出專門研討，為現(xiàn)今造型藝術(shù)的創(chuàng)作或相關(guān)理論研究提供一些借鑒和思考的資料。
[Abstract]:The illustrations of books in Ming and Qing dynasties are the most brilliant part in the history of ancient Chinese illustrations. In the Ming and Qing dynasties, when books were printed and published in large quantities, excellent illustrations could undoubtedly add greater readability and artistic value to the contents of books. Some of the classic female images drawn by the engraving artists are just like the dazzling pearl in the history of ancient illustrations. It is worth exploring the essence of the article and inheriting it. In this paper, the author analyzes the evolution of ancient book illustrations in China, the way of communication, the evolution of artistic expression forms and their schools, combining with the expression of the art of engraving in Ming and Qing dynasties, the peak period of the development of book illustrations. Illustrations of the appearance of characters and the identity of characters, social background and other deeper levels of study, with the Ming and Qing Dynasty version of the art of engraving illustrations of the female image, supplemented by the previous generation of art works of women, style and brush for comparison, From it, the author analyzes the same or different female artistic images in the illustrations of the Ming and Qing dynasties, and provides some help and reference for the study of the contemporary artistic images. At the same time, on the axis of time, from the female images in the early painting to the Tang maid, Yuan opera, the Ming and Qing novels, the creation of female images, the horizontal combination of its era of social etiquette, aesthetic influence. The historical context of the rise and decline of the art of engraving illustrations in the Ming and Qing dynasties is vertically linked to the causes of the formation of numerous female images in the Qing Dynasty. This article will combine many documents, pictures and historical materials to explore the hidden research value in the art of the Ming and Qing Dynasty edition engraving illustrations, and at the same time, draw out the special research on the creation of the female image in the Ming and Qing Dynasty edition engraving illustrations art. To provide some reference and thinking materials for the creation of plastic arts or related theoretical research.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J218.5
本文編號：2178307
[Abstract]:The illustrations of books in Ming and Qing dynasties are the most brilliant part in the history of ancient Chinese illustrations. In the Ming and Qing dynasties, when books were printed and published in large quantities, excellent illustrations could undoubtedly add greater readability and artistic value to the contents of books. Some of the classic female images drawn by the engraving artists are just like the dazzling pearl in the history of ancient illustrations. It is worth exploring the essence of the article and inheriting it. In this paper, the author analyzes the evolution of ancient book illustrations in China, the way of communication, the evolution of artistic expression forms and their schools, combining with the expression of the art of engraving in Ming and Qing dynasties, the peak period of the development of book illustrations. Illustrations of the appearance of characters and the identity of characters, social background and other deeper levels of study, with the Ming and Qing Dynasty version of the art of engraving illustrations of the female image, supplemented by the previous generation of art works of women, style and brush for comparison, From it, the author analyzes the same or different female artistic images in the illustrations of the Ming and Qing dynasties, and provides some help and reference for the study of the contemporary artistic images. At the same time, on the axis of time, from the female images in the early painting to the Tang maid, Yuan opera, the Ming and Qing novels, the creation of female images, the horizontal combination of its era of social etiquette, aesthetic influence. The historical context of the rise and decline of the art of engraving illustrations in the Ming and Qing dynasties is vertically linked to the causes of the formation of numerous female images in the Qing Dynasty. This article will combine many documents, pictures and historical materials to explore the hidden research value in the art of the Ming and Qing Dynasty edition engraving illustrations, and at the same time, draw out the special research on the creation of the female image in the Ming and Qing Dynasty edition engraving illustrations art. To provide some reference and thinking materials for the creation of plastic arts or related theoretical research.
【學(xué)位授予單位】：浙江理工大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2013
【分類號】：J218.5
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本文編號：2178307
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