當(dāng)代內(nèi)蒙古油畫風(fēng)景根植于本土地域文化的研究
發(fā)布時(shí)間：2018-08-12 15:17
【摘要】：內(nèi)蒙古地域遼闊、地貌多樣、文化悠久,并充滿了獨(dú)特的民族風(fēng)情,這些都為內(nèi)蒙古的繪畫藝術(shù)提供了豐富的資源。內(nèi)蒙古的繪畫藝術(shù)一直根植于本土的地域文化,特別是近現(xiàn)代內(nèi)蒙古畫壇,可謂群星閃爍。文章在研究方法上選擇了王治平、苗景昌、李鑫三位分別出生于50、60、70年代的當(dāng)代畫家作為分析對象,論證當(dāng)代內(nèi)蒙古油畫風(fēng)景根植于本土地域文化。這三位畫家分別工作生活在呼和浩特、包頭和呼倫貝爾,他們都選擇了自己熟悉的生活環(huán)境,在周邊地區(qū)進(jìn)行寫生創(chuàng)作,從自己熟悉的地域和文化中尋找自己藝術(shù)創(chuàng)作的源泉,并取得了可喜的成績。最后,文章從內(nèi)蒙古當(dāng)代油畫風(fēng)景成功的經(jīng)驗(yàn)中,總結(jié)出以內(nèi)蒙古地域文化為藝術(shù)創(chuàng)作源泉,還需要畫家注重寫生,并努力在創(chuàng)作中尋找屬于自己的藝術(shù)語言和藝術(shù)精神。畫面的語言和意境需要在繪畫中將理性思維和感性思維同時(shí)運(yùn)用,這樣才能在內(nèi)蒙古地域文化這一母體上尋找到屬于自己的獨(dú)特藝術(shù)風(fēng)格。
[Abstract]:Inner Mongolia has a vast territory, diverse landforms, a long culture, and full of unique national customs, which provide abundant resources for the painting art in Inner Mongolia. Painting art in Inner Mongolia has always been rooted in local regional culture, especially in modern Inner Mongolia painting world, it can be described as a group of stars. In this paper, three contemporary painters, Wang Zhiping, Miao Jingchang and Li Xin, who were born in the 1950s and 1970s, are chosen as the analysis objects, and the contemporary oil painting scenery of Inner Mongolia is rooted in the local regional culture. The three painters worked and lived in Hohhot, Baotou and Hulunbeir, respectively. They all chose their familiar living environment, created sketches in the surrounding areas, and looked for the source of their artistic creation from their familiar regions and cultures. And achieved gratifying results. Finally, from the successful experience of contemporary oil painting landscape in Inner Mongolia, the author concludes that the regional culture of Inner Mongolia is the source of art creation, and the painter should pay attention to sketching, and strive to find his own artistic language and spirit in his creation. The language and artistic conception of the picture need to use both rational and perceptual thinking in painting so as to find its own unique artistic style on the mother body of Inner Mongolia regional culture.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213
本文編號：2179456
[Abstract]:Inner Mongolia has a vast territory, diverse landforms, a long culture, and full of unique national customs, which provide abundant resources for the painting art in Inner Mongolia. Painting art in Inner Mongolia has always been rooted in local regional culture, especially in modern Inner Mongolia painting world, it can be described as a group of stars. In this paper, three contemporary painters, Wang Zhiping, Miao Jingchang and Li Xin, who were born in the 1950s and 1970s, are chosen as the analysis objects, and the contemporary oil painting scenery of Inner Mongolia is rooted in the local regional culture. The three painters worked and lived in Hohhot, Baotou and Hulunbeir, respectively. They all chose their familiar living environment, created sketches in the surrounding areas, and looked for the source of their artistic creation from their familiar regions and cultures. And achieved gratifying results. Finally, from the successful experience of contemporary oil painting landscape in Inner Mongolia, the author concludes that the regional culture of Inner Mongolia is the source of art creation, and the painter should pay attention to sketching, and strive to find his own artistic language and spirit in his creation. The language and artistic conception of the picture need to use both rational and perceptual thinking in painting so as to find its own unique artistic style on the mother body of Inner Mongolia regional culture.
【學(xué)位授予單位】：內(nèi)蒙古師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J213
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，本文編號：2179456
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