發(fā)布時間：2018-08-12 20:55

【摘要】：伴隨著中國社會的繁榮發(fā)展和世界文化藝術(shù)的開放性不斷加大,各行各業(yè)都受到或多或少的微妙影響和綜合性的整合與借鑒。在藝術(shù)的這個大圈子里,藝術(shù)的種類、形式邊界已逐漸越來越模糊化邊界。由此,在當(dāng)今時代的變化下,版畫藝術(shù)也在突飛猛進(jìn),向前發(fā)展。我的版畫創(chuàng)作主要靈感都是來源于對生活的細(xì)微觀察和獨(dú)特的發(fā)現(xiàn)美的可能性,以非尋常的審美視角、綜合性的各種可被挖掘的材料與工具來表現(xiàn)我對當(dāng)下生活的記錄與對繪畫藝術(shù)的個人見解。題材多源于常見的點(diǎn)線面,通過觀察發(fā)現(xiàn)、整理、編輯來創(chuàng)作新的版畫視覺效果。旨在探索點(diǎn)線面形式多樣性的可能和材料綜合性的發(fā)現(xiàn)與研究為核心來詮釋個人對版畫藝術(shù)的綜合理解與研究。
[Abstract]:With the prosperity and development of Chinese society and the increasing openness of world culture and art, various industries are subjected to more or less subtle influence and comprehensive integration and reference. In this big circle of art, the category and form of art have become more and more blurred. Thus, under the change of the times, printmaking art is developing by leaps and bounds. The main inspiration for my printmaking is the subtle observation of life and the unique possibility of discovering beauty, with an unusual aesthetic perspective. A comprehensive variety of materials and tools that can be excavated to express my current life record and my personal view of painting art. Subject matter comes from common points, lines, through observation, collation, editing to create new visual effects of printmaking. The purpose is to explore the possibility of the diversity of points, lines and surfaces and the comprehensive discovery and research of materials as the core to interpret the comprehensive understanding and research on the art of print.
【學(xué)位授予單位】：天津師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2014
【分類號】：J217

【共引文獻(xiàn)】

相關(guān)期刊論文 前1條

1 王建春;;對中國版畫藝術(shù)發(fā)展的幾點(diǎn)思考[J];華章;2011年16期

相關(guān)碩士學(xué)位論文 前1條

1 王潭;論當(dāng)今版畫藝術(shù)教育模式與普及[D];天津師范大學(xué);2010年

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本文編號：2180340