淺析木刻肖像畫
發(fā)布時(shí)間：2018-10-12 15:13
【摘要】：現(xiàn)代科學(xué)技術(shù)日新月異，越來越多的數(shù)碼產(chǎn)品能夠瞬間地記錄人們的圖像，這些圖像通過微信、微博、等多種途徑不斷地充斥著我們生活中的各個(gè)方面，目前已經(jīng)形成了一個(gè)應(yīng)接不暇龐大的圖像世界。繁多圖像照片的涌入給人們?cè)谝曈X上帶來了疲勞，根本打動(dòng)不了人們的內(nèi)心世界，也不能引起欣賞者心靈上的共鳴；更不能引導(dǎo)人們對(duì)現(xiàn)實(shí)社會(huì)人文精神的思考，也不能體現(xiàn)出時(shí)代的精神特征。在日常生活中面對(duì)圖像人們已經(jīng)變得麻木不仁、熟視無睹了。而木刻肖像畫藝術(shù)好似一捧心靈清泉，可以澆灌出體現(xiàn)時(shí)代的精神之花。藝術(shù)家通過成功的木刻肖像畫作品來體現(xiàn)一個(gè)時(shí)代的人文精神和社會(huì)正能量的價(jià)值觀。在人類繪畫藝術(shù)的長河中已經(jīng)創(chuàng)作出了許多經(jīng)典的木刻肖像畫作品，如趙廷年《魯迅》、李樺《怒吼吧中國》、力群《飲》等。 本文研究的內(nèi)容是視覺藝術(shù)中的木刻肖像畫藝術(shù)，通過分析成功的木刻肖像畫作品，剖析其深層的情感因素和解讀外在的形式美感，最終使當(dāng)代木刻肖像畫能最大程度地發(fā)揮其積極的藝術(shù)功能，，并且能緊緊把握時(shí)代的脈博，體現(xiàn)出當(dāng)今社會(huì)生活的人文精神特征。
[Abstract]:With the rapid development of modern science and technology, more and more digital products can record people's images in an instant. These images are constantly flooding all aspects of our life through WeChat, Weibo, and other channels. At present has formed a huge picture of the world. The influx of numerous images and photographs has brought people visual fatigue, which cannot move people's inner world at all, nor can it arouse the sympathy of the appreciators in their hearts; nor can they lead people to think about the humanistic spirit of the real society. Nor can it reflect the spirit of the times. People have become insensitive and blind to images in their daily lives. And woodcut portrait art like a handful of soul spring, can water the spirit of the times. Artists embody the humanistic spirit of an era and the values of positive social energy through successful woodcut portraits. Many classic woodcut portraits have been created in the long stream of human painting art, such as Zhao Tingnian's Lu Xun, Li Hua, roaring China, Li Qun, drinking, and so on. The content of this paper is the art of woodcut portraits in visual art. Through the analysis of successful woodcut portraits, the deep emotional factors and the external aesthetic sense of form are analyzed. In the end, the contemporary woodcut portraits can exert their positive artistic function to the maximum extent, and grasp the pulse of the times closely, reflecting the humanistic spirit characteristic of the social life today.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J205
本文編號(hào)：2266607
[Abstract]:With the rapid development of modern science and technology, more and more digital products can record people's images in an instant. These images are constantly flooding all aspects of our life through WeChat, Weibo, and other channels. At present has formed a huge picture of the world. The influx of numerous images and photographs has brought people visual fatigue, which cannot move people's inner world at all, nor can it arouse the sympathy of the appreciators in their hearts; nor can they lead people to think about the humanistic spirit of the real society. Nor can it reflect the spirit of the times. People have become insensitive and blind to images in their daily lives. And woodcut portrait art like a handful of soul spring, can water the spirit of the times. Artists embody the humanistic spirit of an era and the values of positive social energy through successful woodcut portraits. Many classic woodcut portraits have been created in the long stream of human painting art, such as Zhao Tingnian's Lu Xun, Li Hua, roaring China, Li Qun, drinking, and so on. The content of this paper is the art of woodcut portraits in visual art. Through the analysis of successful woodcut portraits, the deep emotional factors and the external aesthetic sense of form are analyzed. In the end, the contemporary woodcut portraits can exert their positive artistic function to the maximum extent, and grasp the pulse of the times closely, reflecting the humanistic spirit characteristic of the social life today.
【學(xué)位授予單位】：山西師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2015
【分類號(hào)】：J205
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