淺談我的油畫作品《玻璃廠工人系列》的創(chuàng)作體會
發(fā)布時間：2018-10-12 16:57
【摘要】：本文通過自己的《琉璃廠工人系列》油畫創(chuàng)作的整個過程，對油畫創(chuàng)作各個維度進行了闡釋，結合自己創(chuàng)作中的經(jīng)驗和對大師成功典范的分析，更深入的品味藝術創(chuàng)作過程。主要談整個油畫創(chuàng)作實踐過程中的各種體驗所得。 首先從《琉璃廠工人系列》創(chuàng)作主題的定位，主要分為兩大部分：其一，我在創(chuàng)作前的心理思考過程，畫家在面對很多素材時，想要表現(xiàn)與別人不同的畫面，內心的情感起很好的指導作用。其二，《琉璃廠工人系列》的創(chuàng)作選題與生活的關系，藝術源于生活，繪畫作品的創(chuàng)作與生活的關系密切相關。對于畫家來說，有什么樣的生活經(jīng)歷就有什么樣的創(chuàng)作體會。 其次通過對《琉璃廠工人系列》繪畫語言的體驗，繪畫藝術獨有的魅力就是在于畫面的形式語言、點、線、面的構成，以及作品所折射出的藝術家對物質世界的感受、思考、精神狀態(tài)等情懷。我用獨特的構圖、嚴謹?shù)脑煨捅憩F(xiàn)與豐富色彩表現(xiàn)畫面中物質的形態(tài)，但更重要的是傳達著我對勞動人民的感情和人文關懷的內心情感。 最后，，油畫創(chuàng)作正因融入了畫家本身的情感體驗才能在成品中感受到一種感染力，一種對美好事物渴望、對社會的信仰、對真理的追求�！读鹆S工人系列》創(chuàng)作運用各種造型語言和穩(wěn)重的色彩傳達著一種質樸思想,即對社會邊緣群體的關注和對人性的關懷。 農(nóng)民題材油畫作品是特別關注現(xiàn)實的，充分體現(xiàn)了對社會“人”的尊重和主觀創(chuàng)造的價值。當代農(nóng)民題材油畫對現(xiàn)實主義的延伸，對推動當前強調精神深度的創(chuàng)作具有重要的示范意義。一件真正好的作品，離不開創(chuàng)作者從創(chuàng)作主題的確立之初到整個實際在畫布上表現(xiàn)時繪畫語言的體驗與總結，更離不開創(chuàng)作者情感表現(xiàn)的追求。
[Abstract]:This article through their own "Liulichang worker series" oil painting creation the entire process, has carried on the explanation to the oil painting creation each dimension, unifies own creation the experience and the analysis to the master successful model, more deeply savours the artistic creation process. Mainly talking about the whole oil painting practice process of various experiences. First of all, from the "Liulichang worker Series", there are two main parts in the orientation of the creative theme: first, my psychological thinking process before I create, the painter in the face of a lot of material, want to show a different picture from others. The inner emotion plays a good guiding role. Second, the relationship between the creation of the series of workers in Liulichang and life, art originates from life, and the creation of paintings is closely related to life. To the painter, what kind of life experience has what kind of creation experience. Secondly, through the experience of the painting language of "Liulichang worker Series", the unique charm of painting art lies in the composition of the formal language, points, lines, and surfaces of the picture, as well as the artists' feelings and reflections on the material world reflected by the works. A state of mind, etc. I use unique composition, rigorous modeling and rich color to express the material form of the picture, but more importantly, convey my feelings to the working people and the inner feelings of humanistic concern. Finally, oil painting is precisely because of the integration of the artist's own emotional experience in the finished products can feel a kind of appeal, a desire for good things, a belief in society, The pursuit of Truth. The creation of the series of workers in Liulichang conveys a kind of simple thought by using various modeling languages and stable colors, that is, the concern for the marginalized groups of society and the concern for human nature. Peasants' oil paintings pay special attention to reality and fully reflect the respect for social "people" and the value of subjective creation. The extension of contemporary peasant oil painting to realism has important demonstration significance to promote the creation of spiritual depth. A really good work can not be separated from the creators from the creation of the establishment of the theme to the whole actual performance on the canvas painting language experience and summary, but also from the creator's pursuit of emotional performance.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213
本文編號：2266882
[Abstract]:This article through their own "Liulichang worker series" oil painting creation the entire process, has carried on the explanation to the oil painting creation each dimension, unifies own creation the experience and the analysis to the master successful model, more deeply savours the artistic creation process. Mainly talking about the whole oil painting practice process of various experiences. First of all, from the "Liulichang worker Series", there are two main parts in the orientation of the creative theme: first, my psychological thinking process before I create, the painter in the face of a lot of material, want to show a different picture from others. The inner emotion plays a good guiding role. Second, the relationship between the creation of the series of workers in Liulichang and life, art originates from life, and the creation of paintings is closely related to life. To the painter, what kind of life experience has what kind of creation experience. Secondly, through the experience of the painting language of "Liulichang worker Series", the unique charm of painting art lies in the composition of the formal language, points, lines, and surfaces of the picture, as well as the artists' feelings and reflections on the material world reflected by the works. A state of mind, etc. I use unique composition, rigorous modeling and rich color to express the material form of the picture, but more importantly, convey my feelings to the working people and the inner feelings of humanistic concern. Finally, oil painting is precisely because of the integration of the artist's own emotional experience in the finished products can feel a kind of appeal, a desire for good things, a belief in society, The pursuit of Truth. The creation of the series of workers in Liulichang conveys a kind of simple thought by using various modeling languages and stable colors, that is, the concern for the marginalized groups of society and the concern for human nature. Peasants' oil paintings pay special attention to reality and fully reflect the respect for social "people" and the value of subjective creation. The extension of contemporary peasant oil painting to realism has important demonstration significance to promote the creation of spiritual depth. A really good work can not be separated from the creators from the creation of the establishment of the theme to the whole actual performance on the canvas painting language experience and summary, but also from the creator's pursuit of emotional performance.
【學位授予單位】：山東師范大學
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：J213
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相關期刊論文 前2條
1 沈行工;蘇天賜;張華青;;略論油畫的色調處理[J];南京藝術學院學報(音樂與表演版);1982年03期
2 汪光蕪;;線：中國畫的審美之魂[J];美術觀察;2009年01期
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