發(fā)布時(shí)間：2018-10-16 10:00

【摘要】：摩尼教普遍采用"以圖解經(jīng)"作為其宣教方式,其"明暗二元論"的教義本身蘊(yùn)含強(qiáng)烈的視覺(jué)審美意識(shí),這使得摩尼教對(duì)包括插圖在內(nèi)的經(jīng)書(shū)裝飾格外重視,從而使插圖成為摩尼教內(nèi)一種制度化、系統(tǒng)化、組織化、規(guī)模化的自覺(jué)方式,并在摩尼教徒中因襲傳承。這種方式使插圖具有了獨(dú)立的藝術(shù)意義,成為審美意識(shí)的表達(dá),而不僅僅是附屬于文本。正是摩尼教插圖藝術(shù)使得畫(huà)家在人類藝術(shù)史上具有了前所未有的獨(dú)立性,成為一種正式的藝術(shù)身份。摩尼教視"幾何圖形為擴(kuò)展的量"這一教義所形成的審美意識(shí),對(duì)后來(lái)的拜占庭藝術(shù)同樣具有深遠(yuǎn)影響,使西方繪畫(huà)藝術(shù)在總體特征上趨向于塑形。
[Abstract]:Manichaeism generally uses "graphic scriptures" as its way of preaching. The doctrine of "light and dark dualism" itself contains a strong sense of visual aesthetics, which makes Manichaeism attach great importance to the decoration of classics, including illustrations. Thus, illustrations become an institutionalized, systematic, organized and large-scale conscious way in Manichaeism, and are inherited from the Manichaeans. In this way, illustrations have an independent artistic meaning and become the expression of aesthetic consciousness, not just attached to the text. It is Manichaeism illustration art that makes painters have unprecedented independence in the history of human art and become a formal artistic identity. The aesthetic consciousness formed by Manichaeism's view of "geometric figure as the quantity of expansion" also had a profound influence on Byzantine art later, which made the western painting art tend to shape on the whole.
【作者單位】： 北京外國(guó)語(yǔ)大學(xué)亞非學(xué)院;
【基金】：2016年國(guó)家社會(huì)科學(xué)基金重大項(xiàng)目“古代東方文學(xué)插圖本史料集成及其研究”[批準(zhǔn)號(hào):16ZDA199]的中期成果之一
【分類號(hào)】：J218.5
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本文編號(hào)：2274003