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兒童原生態(tài)語言的探尋

發(fā)布時(shí)間:2018-10-16 17:02
【摘要】:原生態(tài)語言是一種天然而純凈的原生語言,讓人在自由與和諧之中享受天然。我們研究兒童原生態(tài)語言的目的在于兒童的原生性行為和心里語言更接近原生天然,兒童存在創(chuàng)造,從孩子出生的混沌性到其學(xué)習(xí)及成長的過程,孩子的思維尤如有生命的植物需要良好的環(huán)境(充足的C02和陽光,水等)一樣也是在生長的。進(jìn)一步了解與成人的“大思維”的聯(lián)系,兒童成長也需要良好的環(huán)境(內(nèi)在以及外在的環(huán)境等因素),讓我們以藝術(shù)的眼光去審視這種純粹的自然,發(fā)現(xiàn)那一份原生,揭開兒童思維的面紗,以一種新的“活語言”來保護(hù)和引導(dǎo)孩子純真,尋找孩子最初的那一份混沌,保持那一份原生態(tài)的生長。我們的研究方法通過發(fā)現(xiàn)兒童到接近兒童,再到了解兒童,從研究其表象到分析其內(nèi)心,從開始的出生到語言的形成,從簡單的痕跡涂鴉到自我個(gè)性的形成,無一不顯現(xiàn)了兒童的想象力與無窮的創(chuàng)造力。越來越會(huì)發(fā)現(xiàn)兒童身上的美和神秘,走進(jìn)兒童的原生繪畫,原生的兒童繪畫中有很值得我們探討和思考的問題,最初的不被影響的繪畫直接表現(xiàn)兒童內(nèi)心得便是原生態(tài)的兒童繪畫。將兒童的藝術(shù)涂鴉與繪畫大師的對(duì)比,發(fā)現(xiàn)兒童與繪畫大師的不同和相同之處,用這種方式去啟發(fā)我們新一代兒童的成長!兒童藝術(shù)家有時(shí)透漏著藝術(shù)大師的氣質(zhì),而隨著長大這種潛能漸漸消失,兒童創(chuàng)造性的保持與維護(hù)是很重要的。以藝術(shù)的眼光重新審視,將個(gè)體創(chuàng)造性思維重構(gòu)。 雖然近年成人化的兒童畫不斷受到人的追捧,但是兒童的創(chuàng)造力與本真已經(jīng)慢慢變?nèi)跎踔料?這種現(xiàn)象是一種不好的現(xiàn)象,我們?nèi)绻娴囊Wo(hù)兒童的那一份天真,兒童本身的創(chuàng)造力就不應(yīng)該被泯滅,加強(qiáng)對(duì)兒童行為心理以及原生繪畫的重視,保護(hù)兒童的那一份創(chuàng)造,這需要我們大家的共同努力,更深程度上保證我們國家教育的本真發(fā)展是更加重要的,通過探究兒童繪畫,發(fā)現(xiàn)兒童本身的一些特質(zhì)。兒童繪畫反映人類的原生心理,兒童繪畫的簡化意識(shí)也是一種發(fā)展,兒童的混沌性以及非理性想象等都是值得我們細(xì)細(xì)思考的。在大自然中各種生物也有著向簡化趨勢的發(fā)展。也許這種簡化也代表了一種趨勢。在兒童的成長發(fā)展中,簡不是不完整,復(fù)雜也是簡單的集合。去發(fā)現(xiàn)兒童的創(chuàng)造力,去保護(hù)兒童的本真!
[Abstract]:Primitive language is a natural and pure native language, which allows people to enjoy nature in freedom and harmony. The purpose of our study of children's original language is that the children's original behavior and mental language are closer to the original nature, and the children are created, from the chaos of the child's birth to the process of learning and growing up. Children's minds are growing just as living plants need a good environment (sufficient CO2, sunlight, water, etc.). Further understanding the link with adult "big thinking", children also need a good environment (internal and external environment and other factors), let us look at this pure nature from an artistic point of view, and discover the original. By lifting the veil of children's thinking, we can protect and guide the innocence of children with a new "living language", search for the original chaos and maintain the growth of the original ecology. Our research methods range from finding children to getting close to children, to learning about children, from studying their appearance to analyzing their innermost, from birth to language formation, from simple graffiti to the formation of their own personality. All show children's imagination and boundless creativity. More and more will find the beauty and mystery of children, into the children's original paintings, native children's paintings are very worthy of our discussion and thinking. The first unaffected painting directly expresses the child's inner heart is the original children's painting. By comparing children's art graffiti with painting masters, we find the differences and similarities between children and masters of painting. In this way, we can inspire the growth of our new generation of children! Children artists sometimes reveal the qualities of masters, but as they grow up, it is important to maintain and maintain their creativity. To re-examine and reconstruct individual creative thinking from an artistic point of view. Although adult children's paintings have been increasingly sought after in recent years, the creativity and authenticity of children have gradually weakened or even disappeared. This phenomenon is a bad phenomenon. If we really want to protect children's innocence, The creativity of children themselves should not be extinguished. We should pay more attention to children's behavioural psychology and original painting, and protect the creation of children, which requires the joint efforts of all of us. To a greater extent, it is more important to ensure the true development of education in our country. By exploring children's painting, we can find some characteristics of children themselves. Children's painting reflects the original psychology of human beings, and the simplified consciousness of children's painting is also a kind of development. The chaos of children and irrational imagination are all worthy of our careful consideration. In nature, all kinds of living things also have a tendency to simplify. Perhaps this simplification also represents a trend. In the development of children, Jane is not incomplete, complex and simple collection. To discover the creativity of children, to protect the true nature of children!
【學(xué)位授予單位】:大連工業(yè)大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2013
【分類號(hào)】:J205

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相關(guān)期刊論文 前10條

1 馮玉云;;如何提高兒童繪畫興趣[J];藝海;2005年05期

2 陳,

本文編號(hào):2275050


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