淺析常玉繪畫作品中的東方情韻
發(fā)布時(shí)間：2018-10-20 17:56
【摘要】：20世紀(jì)初，赴歐學(xué)習(xí)的中國學(xué)子們，或因“勤工儉學(xué)”政策公費(fèi)留學(xué)，或自費(fèi)前往，或通過其他渠道抵達(dá)巴黎，人數(shù)多達(dá)兩千余人，而真正研習(xí)繪畫的卻不多，常玉就是其中之一，他一生堅(jiān)持自我純粹的藝術(shù)生活，不追隨國內(nèi)美術(shù)運(yùn)動(dòng)，客觀對待西方現(xiàn)代藝術(shù)的影響，完全融入巴黎的生活，卻又始終用他所受的中國傳統(tǒng)文化教育，良好的藝術(shù)修養(yǎng)來完成自己獨(dú)特的藝術(shù)之路，，故顯得彌足珍貴。有關(guān)常玉的論述，從現(xiàn)有研究他的文獻(xiàn)資料來看，大都側(cè)重于常玉生平經(jīng)歷、其被歷史遮蔽的原因、藝術(shù)創(chuàng)作的構(gòu)成特征、東西方融合等方面，本論文在參考以往關(guān)于常玉藝術(shù)研究的基礎(chǔ)上，欲借藝術(shù)心理學(xué)和圖像學(xué)，文獻(xiàn)參考法，分析綜合法，歷史比較法，個(gè)案分析法和經(jīng)驗(yàn)總結(jié)法等研究方法力圖從常玉油畫作品中蘊(yùn)含的東方情韻此角度深入分析。 文章分別就常玉藝術(shù)作品中東方情韻的形成、表達(dá)、影響三個(gè)層面展開討論。首先分析常玉的藝術(shù)歷程，從而得以發(fā)現(xiàn)常玉獨(dú)特的藝術(shù)之路對其作品潛在的影響之深，其次從早年文化教育的影響、中國傳統(tǒng)文人畫的取鑒和民間元素的廣泛吸取三個(gè)方面，探索其油畫作品中東方情韻的主要來源，得出其油畫作品中的東方情韻是其無法割舍的母體文化的影響與表現(xiàn)，然后再從常玉的不同題材的畫作入手分析常玉油畫作品中東方情韻的表達(dá)，人體、花卉、動(dòng)物是常玉畫作永恒不變的主題，從這三類題材中可以清晰地看出其作品中蘊(yùn)含著深厚的東方情韻，同時(shí)可以看出其藝術(shù)態(tài)度和人生哲學(xué)所造就的獨(dú)特的藝術(shù)思想;最后探討常玉的藝術(shù)思想給予我們的反思，常玉純粹的藝術(shù)追求，真實(shí)的生活態(tài)度，是其獨(dú)特的藝術(shù)魅力。作為20世紀(jì)初身處法國巴黎的一名中國藝術(shù)家，常玉的人生哲學(xué)和藝術(shù)實(shí)踐背后傳遞出的是一個(gè)藝術(shù)家對自我信念的堅(jiān)持，是對西方現(xiàn)代藝術(shù)的客觀看待以及對中國傳統(tǒng)文化的尊重。通過分析常玉繪畫作品發(fā)現(xiàn)其作品中蘊(yùn)藏著濃濃的東方情韻，認(rèn)識(shí)到他對中西方藝術(shù)的融合與轉(zhuǎn)換是建立在對藝術(shù)真實(shí)的追求，保持思想的獨(dú)立，藝術(shù)理想的堅(jiān)持和堅(jiān)守之上的。
[Abstract]:At the beginning of the 20th century, the number of Chinese students studying in Europe, either at public expense or at their own expense, or through other channels, reached more than 2,000 people, but not many of them really studied painting. Chang Yu was one of them. He insisted on his own pure art life all his life, did not follow the domestic art movement, objectively treated the influence of western modern art, fully integrated into the life of Paris, but always used his traditional Chinese culture education. Good artistic accomplishment to complete their own unique art road, so it is precious. According to the literature on Changyu, most of them focus on Changyu's life experience, the reasons why it has been obscured by history, the composing characteristics of artistic creation, the integration of East and West, and so on. Based on the previous studies on Changyu art, this paper is looking for artistic psychology and graphics, literature reference, analytical synthesis, historical comparison, etc. Case analysis method and experience summary method try to analyze the oriental rhyme in Changyu oil painting. This paper discusses the formation, expression and influence of oriental rhyme in Changyu art works. First of all, by analyzing the artistic course of Changyu, we can find out the potential influence of Changyu's unique artistic road on his works, secondly, from three aspects: the influence of early culture and education, the drawing of Chinese traditional literati painting and the extensive absorption of folk elements. After exploring the main source of oriental love rhyme in his oil paintings, it is concluded that the oriental rhyme in his oil painting works is the influence and expression of his mother culture which can not be abandoned. Then starting with Changyu's paintings of different subjects, we analyze the expression of oriental sentiment in Changyu's oil paintings. The human body, flowers, and animals are the eternal themes of Changyu's paintings. From these three themes, we can clearly see that his works contain profound oriental charm, and at the same time, we can see the unique artistic thought created by his artistic attitude and philosophy of life. Finally, we discuss the reflection given to us by Changyu's artistic thought. Changyu's pure artistic pursuit and real life attitude are its unique artistic charm. As a Chinese artist in Paris, France at the beginning of the 20th century, Changyu's philosophy of life and artistic practice convey an artist's insistence on self-belief. It is an objective view of western modern art and respect for Chinese traditional culture. Through the analysis of Changyu's painting works, it is found that there is a strong Oriental charm in his works, and he realizes that his fusion and transformation of Chinese and western art is based on the pursuit of artistic truth and the independence of his thoughts. Adhering to and adhering to artistic ideals.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213
本文編號(hào)：2283952
[Abstract]:At the beginning of the 20th century, the number of Chinese students studying in Europe, either at public expense or at their own expense, or through other channels, reached more than 2,000 people, but not many of them really studied painting. Chang Yu was one of them. He insisted on his own pure art life all his life, did not follow the domestic art movement, objectively treated the influence of western modern art, fully integrated into the life of Paris, but always used his traditional Chinese culture education. Good artistic accomplishment to complete their own unique art road, so it is precious. According to the literature on Changyu, most of them focus on Changyu's life experience, the reasons why it has been obscured by history, the composing characteristics of artistic creation, the integration of East and West, and so on. Based on the previous studies on Changyu art, this paper is looking for artistic psychology and graphics, literature reference, analytical synthesis, historical comparison, etc. Case analysis method and experience summary method try to analyze the oriental rhyme in Changyu oil painting. This paper discusses the formation, expression and influence of oriental rhyme in Changyu art works. First of all, by analyzing the artistic course of Changyu, we can find out the potential influence of Changyu's unique artistic road on his works, secondly, from three aspects: the influence of early culture and education, the drawing of Chinese traditional literati painting and the extensive absorption of folk elements. After exploring the main source of oriental love rhyme in his oil paintings, it is concluded that the oriental rhyme in his oil painting works is the influence and expression of his mother culture which can not be abandoned. Then starting with Changyu's paintings of different subjects, we analyze the expression of oriental sentiment in Changyu's oil paintings. The human body, flowers, and animals are the eternal themes of Changyu's paintings. From these three themes, we can clearly see that his works contain profound oriental charm, and at the same time, we can see the unique artistic thought created by his artistic attitude and philosophy of life. Finally, we discuss the reflection given to us by Changyu's artistic thought. Changyu's pure artistic pursuit and real life attitude are its unique artistic charm. As a Chinese artist in Paris, France at the beginning of the 20th century, Changyu's philosophy of life and artistic practice convey an artist's insistence on self-belief. It is an objective view of western modern art and respect for Chinese traditional culture. Through the analysis of Changyu's painting works, it is found that there is a strong Oriental charm in his works, and he realizes that his fusion and transformation of Chinese and western art is based on the pursuit of artistic truth and the independence of his thoughts. Adhering to and adhering to artistic ideals.
【學(xué)位授予單位】：曲阜師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J213
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本文編號(hào)：2283952
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