“四君子”繪畫題材研究
[Abstract]:In many painting subjects, the literati often choose something which can represent their noble character in painting and calligraphy creation. The creation of Chinese flower and bird painting is different from western painting. In the process of creation, according to the natural attribute of the subject matter, the object is endowed with symbolic meaning by the method of Fu Bixing, and the author's thoughts and thoughts are expressed in the form of artistic exaggeration. The theme of "four Gentlemen" coincides with the independent personality of literati and the spiritual pursuit of Qingyi. Meilan bamboo chrysanthemum has a simple structure, easy to grasp, suitable for painting, it has become a long-lasting performance theme, related research results are also relatively rich, but most of them are simply discussed, and do not form a systematic theoretical system. As far as the painting practice of "four Gentlemen" is concerned, it is more silent and lonely at present. The author thinks that it is necessary to sort out the painting history of this subject. This thesis will focus on the painting history of the "four Gentlemen", the expression form and artistic language style of the representative painters, as well as the painting works of the past dynasties on various subjects, etc. To systematically study the formation and evolution of the subject and the position in the history of painting, and then analyze the cultural implications of the theme of Meilan bamboo and chrysanthemum. Before the Tang Dynasty, the subject matter of the four Gentlemen was still in its infancy, and the works it had seen were not mature. Due to the expansion of literati and officials, the subject matter of the four Gentlemen was highly praised and developed rapidly in the Tang and Song dynasties. By the Ming and Qing dynasties, the subject had been highly praised by painters, leaving many excellent works, and developed to a certain peak. The maturity of the subject is shown in the following aspects: first, each painter injects his own spiritual connotation into the unique language of pen and ink; second, the composition form, the representative painter draws the theme of Mei Lan bamboo and chrysanthemum, all have their own unique composition style. So far, the theme of Mei Lan bamboo and chrysanthemum has gradually declined in the impact of western artistic trend of thought and the change of people's aesthetic concept. How to adapt the "Meilan bamboo chrysanthemum" in the traditional literati painting subject matter to the modern aesthetic orientation is an urgent problem to be studied.
【學位授予單位】：蘇州大學
【學位級別】：碩士
【學位授予年份】：2016
【分類號】：J212
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