當(dāng)代寫意重彩畫研究
發(fā)布時間：2018-10-23 20:52
【摘要】：繪畫在當(dāng)代大環(huán)境下的發(fā)生和發(fā)展都是必然趨勢,伴隨著這種趨勢,中國畫在“繼承傳統(tǒng)”還是“開拓創(chuàng)新”的爭論聲中也在不斷的成長,而寫意重彩畫作為中國畫的一個分支,是承載中國畫承古與創(chuàng)新的一條路。寫意重彩畫從傳統(tǒng)重彩畫帶著寫意精神來到我們所生活的時代,天生帶著我們這個時代所賦予的時代性�！皩懸庵夭十嫛钡奶岢鱿鄬^晚,因此,對當(dāng)代寫意重彩畫的時代劃分本文也進(jìn)行了自己的時間段劃分。本文追溯寫意重彩畫的古往今來,闡述什么是寫意重彩畫,以及寫意重彩畫所特有的中國畫傳統(tǒng)意味的特征來揭示當(dāng)代寫意重彩畫繼承了中國畫的精髓;后對當(dāng)代繪畫藝術(shù)進(jìn)行簡略的分析,究其發(fā)展特點(diǎn)與寫意重彩畫進(jìn)行比較;再從當(dāng)代寫意重彩畫的“形”、“色”、“藝趣”三方面論述寫意重彩畫的時代特征;最后對寫意重彩畫的發(fā)展以及文化背景進(jìn)行淺析,得出寫意重彩畫兼具繼承與創(chuàng)新兩面大旗,寫意重彩畫以中國傳統(tǒng)繪畫語言為依托立足當(dāng)代,是中國畫發(fā)展的重要形式。
[Abstract]:The emergence and development of painting in the contemporary environment is an inevitable trend. With this trend, Chinese painting is growing up in the debate of "inheriting tradition" or "pioneering and innovating". As a branch of Chinese painting, freehand brushwork is a way to carry the ancient painting and innovation. Freehand brushwork from traditional heavy painting with the spirit of freehand brushwork to the era of our life, born with our times given by this era. "freehand brushwork heavy color painting" was put forward relatively late, therefore, the time division of contemporary freehand brushwork heavy color painting is also divided into its own time period. This paper traces back to the ancient times of freehand brushwork heavy color painting, expounds what is freehand brushwork heavy color painting, as well as the characteristic of traditional Chinese painting meaning of freehand brushwork heavy color painting to reveal that contemporary freehand brushwork heavy color painting inherits the essence of Chinese painting; After the brief analysis of contemporary painting art, the characteristics of its development and freehand brushwork heavy color painting are compared, and then from the contemporary freehand brushwork heavy color painting "shape", "color", "art interest" three aspects of freehand brushwork heavy color painting of the era characteristics; Finally, the development and cultural background of freehand brushwork heavy color painting are analyzed. It is concluded that freehand brushwork heavy color painting has two big banners of inheritance and innovation. It is an important form of the development of Chinese painting to rely on the Chinese traditional painting language.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J212
[Abstract]:The emergence and development of painting in the contemporary environment is an inevitable trend. With this trend, Chinese painting is growing up in the debate of "inheriting tradition" or "pioneering and innovating". As a branch of Chinese painting, freehand brushwork is a way to carry the ancient painting and innovation. Freehand brushwork from traditional heavy painting with the spirit of freehand brushwork to the era of our life, born with our times given by this era. "freehand brushwork heavy color painting" was put forward relatively late, therefore, the time division of contemporary freehand brushwork heavy color painting is also divided into its own time period. This paper traces back to the ancient times of freehand brushwork heavy color painting, expounds what is freehand brushwork heavy color painting, as well as the characteristic of traditional Chinese painting meaning of freehand brushwork heavy color painting to reveal that contemporary freehand brushwork heavy color painting inherits the essence of Chinese painting; After the brief analysis of contemporary painting art, the characteristics of its development and freehand brushwork heavy color painting are compared, and then from the contemporary freehand brushwork heavy color painting "shape", "color", "art interest" three aspects of freehand brushwork heavy color painting of the era characteristics; Finally, the development and cultural background of freehand brushwork heavy color painting are analyzed. It is concluded that freehand brushwork heavy color painting has two big banners of inheritance and innovation. It is an important form of the development of Chinese painting to rely on the Chinese traditional painting language.
【學(xué)位授予單位】：湖北美術(shù)學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2015
【分類號】：J212
【相似文獻(xiàn)】
相關(guān)期刊論文 前10條
1 瀧澤具幸;;瀧澤具幸重彩畫[J];國畫家;2001年06期
2 梅琦;論現(xiàn)代重彩畫[J];裝飾;2002年12期
3 ;日本重彩畫中的人體藝術(shù)[J];國畫家;2002年03期
4 ;日本重彩畫[J];國畫家;2002年05期
5 ;日本現(xiàn)代重彩畫[J];國畫家;2003年03期
6 陶安惠;論現(xiàn)代重彩畫及其藝術(shù)語言——由全國首屆重彩畫展引發(fā)的思考[J];西北美術(shù);2005年02期
7 郭巍;中國重彩畫的發(fā)展概述[J];玉溪師范學(xué)院學(xué)報;2005年09期
8 秦龍;;秦龍現(xiàn)代重彩畫選登[J];w攣胖蕓，
本文編號：2290431
本文鏈接：http://www.wukwdryxk.cn/wenyilunwen/huihuayishu/2290431.html
