《樂記》美學范疇研究
發(fā)布時間：2019-01-25 10:50
【摘要】： 《樂記》是我國第一部系統的美學論著。以往對《樂記》的研究多集中從禮樂關系、樂在社會政治中的作用等方面進行論述，而在審美的層面，還有許多值得挖掘的東西�！稑酚洝分小皻狻�、“和”、“清”、“遺音”、“遺味”、“化神”等范疇具有豐富的美學意蘊，它們在整個《樂記》美學思想之網中被顯現出來。同時，這些范疇作為網上的結點，，反過來又支撐著《樂記》思想理論體系的建構�！稑酚洝访缹W范疇的精神意蘊及《樂記》理論建構的特點對中國傳統美學的發(fā)展產生了深遠的影響。對《樂記》美學范疇的研究是我們理解中國傳統美學的一個重要切入點。 本文共分四章。第一章和第二章對美學范疇“氣”、“和”、“清”、“遺音”、“遺味”、“化神”的思想來源與理論內涵進行了分析；第三章論述《樂記》美學思想理論體系建構的特點；第四章分析《樂記》美學思想之流變及其對中國傳統美學的影響。
[Abstract]:Yue Ji is the first systematic aesthetic treatise in China. In the past, most of the studies on Le Ji focused on the relationship between etiquette and music, the role of music in social politics, and there are many things worth digging up in the aesthetic aspect. "Qi", "Qi" and "Qing" in the Book of Music, The categories of "Yin", "flavor", "deity" and so on have rich aesthetic meaning, and they are revealed in the whole net of aesthetic thought of Le Ji. At the same time, these categories act as nodes on the Internet, On the other hand, it supports the construction of the ideological and theoretical system of Le Ji. The spiritual implication of the aesthetic category and the characteristics of the theoretical construction of Le Ji have a profound influence on the development of Chinese traditional aesthetics. The study of the aesthetic category of Le Ji is an important entry point for us to understand Chinese traditional aesthetics. This paper is divided into four chapters. The first and second chapters analyze the ideological sources and theoretical connotations of the aesthetic categories "Qi", "he", "Qing", "Yin", "flavor" and "Hua Shen", the third chapter discusses the characteristics of the construction of the theoretical system of aesthetic thought in Le Ji. Chapter four analyzes the evolution of aesthetics and its influence on Chinese traditional aesthetics.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2002
【分類號】：B83-092
本文編號：2415060
[Abstract]:Yue Ji is the first systematic aesthetic treatise in China. In the past, most of the studies on Le Ji focused on the relationship between etiquette and music, the role of music in social politics, and there are many things worth digging up in the aesthetic aspect. "Qi", "Qi" and "Qing" in the Book of Music, The categories of "Yin", "flavor", "deity" and so on have rich aesthetic meaning, and they are revealed in the whole net of aesthetic thought of Le Ji. At the same time, these categories act as nodes on the Internet, On the other hand, it supports the construction of the ideological and theoretical system of Le Ji. The spiritual implication of the aesthetic category and the characteristics of the theoretical construction of Le Ji have a profound influence on the development of Chinese traditional aesthetics. The study of the aesthetic category of Le Ji is an important entry point for us to understand Chinese traditional aesthetics. This paper is divided into four chapters. The first and second chapters analyze the ideological sources and theoretical connotations of the aesthetic categories "Qi", "he", "Qing", "Yin", "flavor" and "Hua Shen", the third chapter discusses the characteristics of the construction of the theoretical system of aesthetic thought in Le Ji. Chapter four analyzes the evolution of aesthetics and its influence on Chinese traditional aesthetics.
【學位授予單位】：四川師范大學
【學位級別】：碩士
【學位授予年份】：2002
【分類號】：B83-092
【引證文獻】
相關碩士學位論文 前2條
1 王yN;先秦樂舞文獻研究[D];暨南大學;2006年
2 易薇;論《樂記》的音樂美學[D];湖南師范大學;2007年
本文編號：2415060
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