發(fā)布時(shí)間：2018-05-07 23:00

  本文選題：研究成果 + 研究思想�。� 參考：《中國教育學(xué)刊》2015年05期

【摘要】：正《音樂學(xué)新論——音樂學(xué)的學(xué)科領(lǐng)域與研究規(guī)范》是一部囊括音樂學(xué)新論的經(jīng)典巨作。這部由楊燕迪教授主編的學(xué)術(shù)專著,通過音樂學(xué)界一些學(xué)者的共同努力,汲取了近年來我國音樂學(xué)領(lǐng)域的最新研究成果,為立志于音樂學(xué)研究的同仁與學(xué)子提供了借鑒和幫助。該著作立足于我國音樂學(xué)發(fā)展實(shí)際,參照世界音樂學(xué)發(fā)展現(xiàn)狀和研究成果,系統(tǒng)梳理和總結(jié)了我國音樂學(xué)發(fā)展情況,提出了獨(dú)具見解和前瞻性的問題思考。同時(shí),該書還立足于中國本位,積極吸收西方音樂學(xué)最新研究思想、觀念和成果,對我國音樂學(xué)學(xué)科進(jìn)行了定位,明確了音樂
[Abstract]:The New Theory of Musicology-the discipline and Research Standard of Musicology is a classic masterpiece covering the new theory of musicology. This academic monograph edited by Professor Yang Yandi, through the joint efforts of some scholars in the field of music, draws on the latest research achievements in the field of musicology in China in recent years, and provides reference and help for colleagues and students who are determined to study musicology. Based on the development of musicology in China and referring to the present situation and research results of musicology in the world, this work systematically combs and summarizes the development of musicology in China, and puts forward some unique opinions and forward-looking thinking. At the same time, the book is based on the Chinese standard, actively absorbs the latest western musicology research ideas, ideas and achievements, positioning the subject of musicology in China, and clarifies the music.
【作者單位】： 華東交通大學(xué)藝術(shù)學(xué)院;
【分類號(hào)】：J60-5

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本文編號(hào)：1858821