發(fā)布時(shí)間：2018-02-24 23:02

  本文關(guān)鍵詞： 漢畫(huà) 鼗鼓舞 形態(tài) 巫樂(lè)　出處：《北京舞蹈學(xué)院學(xué)報(bào)》2017年04期 　論文類(lèi)型：期刊論文

【摘要】：漢畫(huà)中的鼗鼓舞表演形態(tài)多樣,本文以圖像結(jié)合文獻(xiàn)的考據(jù)方式探討、論述鼗鼓舞的形態(tài)演變,認(rèn)為鼗鼓的導(dǎo)樂(lè)、節(jié)樂(lè)、終樂(lè)的功能,形成了以鼗鼓等節(jié)樂(lè)的表演形態(tài);漢畫(huà)鼗鼓舞中手戲雜技與舞蹈的融合,以樂(lè)器為道具的舞蹈形態(tài)及持鼗而舞的有聲形態(tài)等形成了漢代百戲的綜合表演形態(tài);漢畫(huà)鼗鼓舞的祈福、禳災(zāi)、辟邪、交通人神等功用,形成以鼗導(dǎo)樂(lè)的巫舞的演變形態(tài)。
[Abstract]:There are various forms of performance in Han Dynasty painting. This paper discusses the evolution of the form of Drum in combination with the textual research of the literature. The author thinks that the function of guiding music, festival music and final music of the drum has formed the performance form of the festival music such as the drum and so on. The combination of acrobatics and dance in Han paintings inspired the performances of 100 Han operas, such as musical instruments as props and musical instruments as props, as well as the sound forms of dancing. The functions of Han painting and encouragement included praying for blessings, abusing disasters, dispelling evil spirits, and communicating with people and gods, and so on. Form the evolving form of witchcraft dance with music.
【作者單位】： 南陽(yáng)師范學(xué)院漢文化中心;
【基金】：教育部課題《漢代古琴的圖像學(xué)研究》(項(xiàng)目編號(hào):13YJA760020) 河南省科技廳軟科學(xué)項(xiàng)目《中原漢代百戲(雜技)的研究與應(yīng)用》(項(xiàng)目編號(hào):142400411202);河南省科技廳軟科學(xué)項(xiàng)目《南陽(yáng)漢代畫(huà)像石與漢代樂(lè)舞表演體系構(gòu)建研究》(項(xiàng)目編號(hào):162400410417)成果之一
【分類(lèi)號(hào)】：J209.2;J722

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