發(fā)布時間：2018-04-05 04:16

  本文選題：海德格爾　切入點(diǎn)：本有　出處：《浙江工商大學(xué)學(xué)報(bào)》2017年02期

【摘要】：將海德格爾始于20世紀(jì)30年代詩意之思的思想特質(zhì)納入到其思想"轉(zhuǎn)向"過程中所思得的思想主題詞本有中考量,本文認(rèn)為:第一,海德格爾對于詩的理解是從古希臘思想的始源處獲得了詩歸屬于本有的反形而上學(xué)認(rèn)識;第二,詩人荷爾德林所處于的命定時刻及其所承擔(dān)的歷史性命運(yùn)促發(fā)了海德格爾對于作為本有的詩歌的拯救觀念的形成;第三,海德格爾賦予詩與思以近鄰關(guān)系,并讓其歸屬到本有的"四方"環(huán)舞中且彼此本質(zhì)性地進(jìn)入對方又相互分離地持有自身的本質(zhì)。故而,詩與思的同一性論述是一種既不同于詩的哲學(xué)觀,也有別于詩的文學(xué)理論論述的海德格爾式詩學(xué)理論。
[Abstract]:Taking Heidegger's poetic thinking from the 1930s into consideration, the main theme words of Heidegger's thought in the process of "turning" are as follows: first,Heidegger's understanding of poetry is derived from the origin of ancient Greek thought.The poet Holdrin's destiny and his historic destiny promoted the formation of Heidegger's idea of saving his poems. Thirdly, Heidegger endowed poetry and thought with close neighbors.And let it belong to the original "quadripartite" ring dance and each other essential into the other side and separate from each other to hold their own essence.Therefore, the discussion of the identity between poetry and thought is a theory of Heidegger's style of poetics, which is different from the philosophy of poetry as well as the literary theory of poetry.
【作者單位】： 南京大學(xué)哲學(xué)系;上海戲劇學(xué)院藝術(shù)研究所;
【基金】：中國博士后科學(xué)基金面上項(xiàng)目“生命政治理論視閾中的生存美學(xué)研究”(2016M590433) 江蘇省博士后科研資助計(jì)劃(1601126C) “上海市教育委員會高原學(xué)科建設(shè)計(jì)劃Ⅱ高原上海戲劇學(xué)院藝術(shù)學(xué)理論”項(xiàng)目階段性成果
【分類號】：I052
，

本文編號：1713156