發(fā)布時(shí)間：2018-04-11 13:55

  本文選題：符號(hào) + 認(rèn)識(shí)��； 參考：《貴州大學(xué)》2009年碩士論文

【摘要】： 本文從哲學(xué)談到藝術(shù),試圖尋找一種感受藝術(shù)力量的能力和正視藝術(shù)價(jià)值的方法和途徑。認(rèn)識(shí)對象范圍在新康德主義和卡西爾那里得到擴(kuò)大,藝術(shù)成為認(rèn)識(shí)的對象。美國哲學(xué)家和美學(xué)家蘇珊·朗格繼承和發(fā)揚(yáng)了卡西爾的符號(hào)學(xué)理論,以認(rèn)識(shí)本身為基礎(chǔ),以認(rèn)識(shí)主體為出發(fā)點(diǎn)構(gòu)建自己的美學(xué)體系。 本文的創(chuàng)新點(diǎn)是以蘇珊·朗格的理論為主線,運(yùn)用比較和綜合的分析方法,結(jié)合蘇珊·朗格、笛卡兒、布倫塔諾、佛教量論因明學(xué)代表人物法稱等哲學(xué)家的思想觀點(diǎn)來逐一梳理藝術(shù)的創(chuàng)作及情感的被表達(dá)和被感知這樣一系列認(rèn)識(shí)過程,從藝術(shù)這個(gè)認(rèn)識(shí)對象來談?wù)J識(shí)的發(fā)生,中西方理論相結(jié)合,解釋了朗格理論中一些如“直覺”、“心智”等重要的概念,藝術(shù)的真諦在認(rèn)識(shí)的過程中得到了體現(xiàn)。 “審美直覺論”是蘇珊·朗格理論的重要組成部分。她認(rèn)為“直覺”作為一種符號(hào)活動(dòng)的過程,兼具感性和理性的特點(diǎn);在笛卡兒的理論中,人的“悟性”,只有“直觀”和“演繹”二類,而“通觀”是與“直覺”更為接近的一個(gè)概念;布倫塔諾理論體系中將“心理現(xiàn)象”與“物理現(xiàn)象”做了區(qū)分,其中心理現(xiàn)象的表象活動(dòng)正是認(rèn)識(shí)的起點(diǎn),也是“直覺”發(fā)生的起點(diǎn),表象活動(dòng)的“意向的”特點(diǎn)是情感與形式得以結(jié)合的前提;佛教量論因明學(xué)中,知識(shí)是通過現(xiàn)量(=直觀)與比量(=演繹)而確立的�！靶闹恰钡淖罡呔辰缒�過于“瑜伽智”的生起。無論是藝術(shù)作品的創(chuàng)作者還是欣賞者,只有在瑜伽智生起時(shí)、在得到自明性體驗(yàn)時(shí),才能真正做到心物合一,情感與形式完全的結(jié)合和統(tǒng)一,這時(shí)的創(chuàng)造才真正是人類情感的杰作,才能被真正定義為藝術(shù)。 從哲學(xué)的途徑進(jìn)入藝術(shù)領(lǐng)域,需要心靈的指引,需要一顆純粹專注的心。
[Abstract]:From philosophy to art, this paper tries to find a way to feel the power of art and to face up to the value of art.The scope of the object of cognition was expanded in Neo-Kantianism and Cassier, and art became the object of cognition.American philosopher and esthetician Susan Langer inherited and carried forward Cassier's semiotics theory and constructed his own aesthetic system on the basis of the cognition itself and with the cognitive subject as the starting point.Buddhist Quantification Theory in response to the thought and views of philosophers such as the representative figures and dharma, etc., to sort out a series of cognitive processes such as artistic creation, expression and perception of emotion, and to discuss the occurrence of cognition from the object of understanding art.The combination of Chinese and Western theories explains some important concepts in Langer's theory, such as intuition and mind, and the true meaning of art is embodied in the process of cognition.Aesthetic intuition is an important part of Susan Langer's theory.She holds that intuition, as a process of symbolic activity, has both perceptual and rational characteristics. In Descartes' theory, there are only "intuitive" and "deductive" types of "understanding" of human beings.However, "general view" is a concept closer to "intuition", and Brentano's theoretical system distinguishes "psychological phenomenon" from "physical phenomenon", in which the apparent activity of psychological phenomenon is the starting point of cognition.It is also the starting point of the occurrence of "intuition", the characteristic of "intention" of the expressive activity is the premise of the combination of emotion and form, and the knowledge is established by means of "present quantity = intuitionistic" and "ratio of quantity" = deduction in the theory of quantity of Buddhism.The highest state of mind is the birth of Yoga.Whether it is the creator or the appreciator of a work of art, only when the Yoga wisdom is born and the self-evident sexual experience is gained can the mind and object be truly United, and the emotion and form be fully combined and unified.Then the creation is truly a masterpiece of human emotion and can be truly defined as art.From the philosophical approach to the field of art, need the guidance of the mind, need a pure focus of the heart.
【學(xué)位授予單位】：貴州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2009
【分類號(hào)】：J0-02

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本文編號(hào)：1736283