公共藝術(shù)在城鄉(xiāng)設(shè)計(jì)中的視覺表現(xiàn)與創(chuàng)新應(yīng)用
發(fā)布時(shí)間:2018-04-16 19:36
本文選題:創(chuàng)新應(yīng)用 + 攝影作品; 參考:《新美術(shù)》2017年04期
【摘要】:正一公共藝術(shù)的緣起20世紀(jì)50年在羅斯福的"新政"時(shí)代,美國公共藝術(shù)開始興起,為了創(chuàng)建美國獨(dú)特的文化,推動(dòng)經(jīng)濟(jì)和藝術(shù)攜手并進(jìn),美國政府雇傭了上萬名藝術(shù)工作者,"他們生產(chǎn)出數(shù)量驚人的作品:十萬件繪畫,一萬八千件雕刻,一萬三千件版畫,超過四千件壁畫,這些作品不包括海報(bào)和攝影作品。這過程中他們創(chuàng)造了一種足堪表現(xiàn)時(shí)代的理念——不論實(shí)踐與否——的公共藝術(shù)"~1正是
[Abstract]:In the era of Roosevelt ' s " New Deal " in the 20th century , the American public art began to rise . In order to create the unique culture of the United States and to promote the economy and the arts , the U.S . government employs tens of thousands of artists , " they produce amazing works : 100,000 paintings , 10,000 pieces of sculpture , 10,000 pieces of prints , more than 4,000 frescoes , which do not include posters and photographic works . In this process , they created an idea of an era of foot - embarrassment _ no matter whether it is practical or not _ public art " ~ 1
【分類號(hào)】:J05
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本文編號(hào):1760298
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