“總體”與“斷裂”:構(gòu)筑“可經(jīng)驗(yàn)”的世界——文學(xué)經(jīng)驗(yàn)生成的外部語境與內(nèi)在契機(jī)
發(fā)布時(shí)間：2018-12-25 08:52
【摘要】：作為文學(xué)研究的一個(gè)基本理論問題,文學(xué)經(jīng)驗(yàn)在近十年來的文藝?yán)碚摻缭俅纬蔀殛P(guān)注熱點(diǎn),但時(shí)下對(duì)這一概念的理解和運(yùn)用是含混、隨意的。西方現(xiàn)代經(jīng)驗(yàn)理論為文學(xué)經(jīng)驗(yàn)提供了入思之基。文學(xué)經(jīng)驗(yàn)就是在話語編織的虛構(gòu)世界中,對(duì)人的經(jīng)驗(yàn)的審美呈現(xiàn),而人的經(jīng)驗(yàn)誕生于感性和虛構(gòu)兩種力量的碰撞、融合。世界的可經(jīng)驗(yàn)性是文學(xué)經(jīng)驗(yàn)生成的外部語境,它需要文化記憶為其提供"先驗(yàn)"預(yù)設(shè)和"歷史的經(jīng)驗(yàn)總體"。如此,作家方能獲得感受、想象和敘述世界的能力;斷裂的眼光則是內(nèi)在契機(jī),它矚目于人"感覺結(jié)構(gòu)"的斷裂處。這里,固化的感性因子在斷裂力量的撕扯下噴薄而出,成為凝集文學(xué)經(jīng)驗(yàn)的內(nèi)核。而對(duì)"感性契機(jī)"的捕捉,則是從庸常世界向經(jīng)驗(yàn)世界過渡的臨界點(diǎn)。從美學(xué)角度對(duì)文學(xué)經(jīng)驗(yàn)本體的研究,對(duì)于突破文學(xué)理論的"不接地"困境,化解文學(xué)創(chuàng)作的諸種危機(jī),意義尤顯重大。
[Abstract]:As a basic theoretical problem in literary research, literary experience has once again become the focus of attention in the field of literary theory in the past ten years, but the understanding and application of this concept is vague and arbitrary. The western modern experience theory provides the basis for literary experience. Literary experience is the aesthetic presentation of human experience in the fictional world of discourse weaving, and human experience is born from the collision and fusion of perceptual and fictional forces. The empiricism of the world is the external context in which literary experience is generated, and it requires cultural memory to provide it with a "transcendental" presupposition and a "historical experiential collectivity". In this way, the writer can acquire the ability to feel, imagine and describe the world, and the vision of fracture is an internal opportunity, which focuses on the fracture of human "sensory structure". Here, the perceptual factor of solidification is torn down by the force of fracture and becomes the core of the condensed literary experience. The capture of the perceptual opportunity is the critical point of transition from the mediocre world to the experiential world. The study of literary experience Noumenon from the aesthetic point of view is of great significance for breaking through the dilemma of "ungrounded" literary theory and resolving all kinds of crises in literary creation.
【作者單位】： 江蘇第二師范學(xué)院文學(xué)院;
【基金】：江蘇第二師范學(xué)院2015年度博士專項(xiàng)基金項(xiàng)目“文學(xué)經(jīng)驗(yàn)論:西方經(jīng)驗(yàn)美學(xué)視域下的文學(xué)研究”[項(xiàng)目編號(hào):JSNU2015BZ21] 2017年度江蘇省高校哲學(xué)社會(huì)科學(xué)研究基金項(xiàng)目“文學(xué)經(jīng)驗(yàn)的理論、方法與問題研究”[項(xiàng)目編號(hào):2017SJB0553]階段性成果~~
【分類號(hào)】：I0
本文編號(hào)：2390958
[Abstract]:As a basic theoretical problem in literary research, literary experience has once again become the focus of attention in the field of literary theory in the past ten years, but the understanding and application of this concept is vague and arbitrary. The western modern experience theory provides the basis for literary experience. Literary experience is the aesthetic presentation of human experience in the fictional world of discourse weaving, and human experience is born from the collision and fusion of perceptual and fictional forces. The empiricism of the world is the external context in which literary experience is generated, and it requires cultural memory to provide it with a "transcendental" presupposition and a "historical experiential collectivity". In this way, the writer can acquire the ability to feel, imagine and describe the world, and the vision of fracture is an internal opportunity, which focuses on the fracture of human "sensory structure". Here, the perceptual factor of solidification is torn down by the force of fracture and becomes the core of the condensed literary experience. The capture of the perceptual opportunity is the critical point of transition from the mediocre world to the experiential world. The study of literary experience Noumenon from the aesthetic point of view is of great significance for breaking through the dilemma of "ungrounded" literary theory and resolving all kinds of crises in literary creation.
【作者單位】： 江蘇第二師范學(xué)院文學(xué)院;
【基金】：江蘇第二師范學(xué)院2015年度博士專項(xiàng)基金項(xiàng)目“文學(xué)經(jīng)驗(yàn)論:西方經(jīng)驗(yàn)美學(xué)視域下的文學(xué)研究”[項(xiàng)目編號(hào):JSNU2015BZ21] 2017年度江蘇省高校哲學(xué)社會(huì)科學(xué)研究基金項(xiàng)目“文學(xué)經(jīng)驗(yàn)的理論、方法與問題研究”[項(xiàng)目編號(hào):2017SJB0553]階段性成果~~
【分類號(hào)】：I0
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，本文編號(hào)：2390958
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