發(fā)布時間：2019-04-01 11:34

【摘要】：日本美學(xué)家今道友信基于他自身的審美經(jīng)驗和對東方古典美學(xué)的深刻理解和獨到領(lǐng)悟,從自然哲學(xué)的角度創(chuàng)造性地提出了"夜晚意識",并論述了夜晚是藝術(shù)之鄉(xiāng)、夜晚是審美經(jīng)驗的故鄉(xiāng)的命題,這與他的"白晝意識"、"大地"和"季節(jié)"概念一起成為其獨特的審美范疇。"夜晚意識"概念的提出,是今道友信對技術(shù)關(guān)聯(lián)時代的現(xiàn)代藝術(shù)的反抗,是東方文化中"天人合一"審美意識的體現(xiàn)。
[Abstract]:Based on his own aesthetic experience and his profound understanding and unique understanding of Oriental classical aesthetics, the Japanese aesthetician has creatively proposed "night consciousness" from the point of view of natural philosophy, and expounded that night is the home of art. Night is the home of aesthetic experience, which, along with his "day consciousness", "earth" and "season" concept, has become its unique aesthetic category. " The concept of "night consciousness" is the resistance of this day's friendship to the modern art in the era of technology connection, and the embodiment of the aesthetic consciousness of "the unity of nature and man" in the eastern culture.
【作者單位】： 許昌學(xué)院美術(shù)學(xué)院;
【基金】：國家社會科學(xué)基金項目“戰(zhàn)后日本美學(xué)發(fā)展進(jìn)程研究”(項目號:9BZX067)的階段性成果
【分類號】：J01

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