發(fā)布時間：2018-07-02 20:41

  本文選題：藏族 + 傳統(tǒng)樂器�。� 參考：《西藏大學學報(社會科學版)》2016年01期

【摘要】：藏族傳統(tǒng)樂器在音響特性的劃分上常借用人聲分類中的"頗各"和"莫各"即男聲和女聲或公音與母音等概念和表述方式,其中涉及音高、音強、音色等多方面的問題。當"頗各"和"莫各"以音高對應理解時,可與"低音"和"高音"相對應;當"頗各"和"莫各"以音強對應理解時,可與"強"和"弱"相對應;當"頗各"和"莫各"以音色對應理解時,可與"陽性"和"陰性"相對應,而且這樣的對應具有一定的邏輯性。但從另一角度看,當音高概念中介入居于"低音"和"高音"之間的"中音"時,當音強概念中介入居于"強"和"弱"之間的"中"時,當音色概念中介入居于"陽性"和"陰性"之間的"中性"時,又如何滿足必要的邏輯對應呢?可否將"齊各"即童聲與音高中的"中音"、音強中的"中"和音色中的"中性"相對應?或許可行。然而,若能將上述因素與藏文字母聲調(diào)分類中的"頗"、"莫"、"瑪能"即"陽性"、"陰性"、"中性"相對應,或許還能闡釋更加寬廣的文化寓意。文章就上述相關(guān)問題進行了考釋。
[Abstract]:The traditional Tibetan musical instruments often use the concepts and expressions of "quite different" and "MOG" in the classification of human voices, which are the concepts and expressions of men's and female sounds and vowels, which involve many aspects, such as pitch, sound intensity, and tone color. When "quite" and "Mo" are understood with the pitch, they can be compared with "bass" and "high"; when "quite different" It is corresponding to "strong" and "weak" when it is understood by the intensity of sound. When "quite" and "Mo" are understood by the tone color, they are corresponding to "positive" and "negative", and the correspondence has certain logic. But from another angle, when the concept of pitch comes into the "middle tone" between "bass" and "high", when the concept of pitch is in the "middle tone", it is a sound probability. When the intermediary enters the "middle" between "strong" and "weak", how can we meet the necessary logical correspondence when the sound concept mediate the "neutral" between "positive" and "negative"? The "Po", "Mo" and "Ma", "masculine", "positive", "negative", "neutral", may also be able to explain a more broad cultural implication.
【作者單位】： 西藏大學藝術(shù)學院;
【基金】：2013年度國家社會科學基金藝術(shù)學項目“西藏傳統(tǒng)音樂形態(tài)中的知識體系研究”階段性成果,項目號:13ED142
【分類號】：J632.29
，

本文編號：2090853