發(fā)布時間：2018-09-14 20:17

【摘要】：科技的進步帶動文化領(lǐng)域的繁榮,文獻展作為各種文化展覽中一種具有特定形式內(nèi)涵與風(fēng)格特征的展覽形式,最近幾年來在世界各地不斷呈現(xiàn)。中國的文獻展從名目到內(nèi)容也更加豐富起來,形式也更加多樣化,文獻展在中國的發(fā)展過程,是從陌生到不斷趨于熟悉,并逐漸適應(yīng)的過程,這個過程雖然積累了一定的實踐經(jīng)驗,但對文獻展的藝術(shù)特征與文化特質(zhì)的研究其實尚未真正起步,文獻展制度的理論研究更是處于剛剛接觸和探索階段。本論文通過對當(dāng)代語境下文獻展的資料梳理,總結(jié)在其文獻性影響下的展覽特質(zhì)形式,進而對“文獻性”概念的理解與定義有較為系統(tǒng)的探析。“文獻”起初是作為記錄知識的一個技術(shù)性專用詞語存在于社會知識領(lǐng)域,之后“文獻”被引入到展覽文化討論的范疇,進而形成文獻展這一展覽形式�！拔墨I”從“技術(shù)性”詞語身份進入“展覽文化”術(shù)語身份,在身份轉(zhuǎn)換中文獻展繼承和延續(xù)了“文獻”的文獻性,并通過展覽的實踐探索,文獻展的“文獻性”內(nèi)涵也隨之變得更加豐富,使其出現(xiàn)兩種相對的傾向,一種相對偏向于主觀性認識文獻展,一種相對偏向于客觀性闡釋的文獻展。差異的傾向?qū)е挛墨I展之間顯現(xiàn)形式內(nèi)涵和風(fēng)格特征的區(qū)別,進而形成不同文化藝術(shù)面貌類型的文獻展。各種類型的文獻展以展覽實踐的方式豐富和充實著文獻展的發(fā)展,使文獻展的形式特征與內(nèi)涵特征以及影響力特征成為各種有關(guān)展覽類型研究的熱門話題。
[Abstract]:The progress of science and technology leads to the prosperity of cultural field. As a kind of exhibition form with special form connotation and style, literature exhibition has been presented all over the world in recent years. The document exhibition in China has become more abundant in terms of name and content, and has become more diversified in form. The development process of the document exhibition in China is a process from being unfamiliar to becoming more familiar with and gradually adapting to it. Although this process has accumulated some practical experience, the research on the artistic characteristics and cultural characteristics of the literature exhibition has not really started, and the theoretical study of the literature exhibition system is just in the stage of contact and exploration. By combing the literature exhibition materials in the contemporary context, this paper summarizes the exhibition characteristic forms under the influence of its literature, and then makes a systematic analysis of the understanding and definition of the concept of "documentary nature". At first, "document" was used as a technical special word to record knowledge in the field of social knowledge. Later, "document" was introduced into the scope of cultural discussion of exhibition, and then formed the exhibition form of literature exhibition. From the status of "technical" words to the term identity of "exhibition culture", the literature exhibition inherits and continues the documentary character of "document" in the process of identity conversion, and explores through the practice of exhibition. The connotation of "documentary nature" in literature exhibition has become more abundant, making it appear two relative tendencies, one is relatively biased towards subjective cognitive literature exhibition, the other is relatively biased towards objective interpretation of literature exhibition. The tendency of difference leads to the difference of formal connotation and style between literature exhibitions, and then forms literature exhibitions with different cultural and artistic features. Various types of literature exhibitions enrich and enrich the development of literature exhibitions in the way of exhibition practice, which makes the formal characteristics, connotation characteristics and influence characteristics of literature exhibitions become hot topics in the study of various kinds of exhibition types.
【學(xué)位授予單位】：北京印刷學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：G252.1

【相似文獻】

相關(guān)期刊論文 前4條

1 ;第12屆卡塞爾文獻展雜志項目[J];當(dāng)代藝術(shù)與投資;2008年03期

2 ;裝飾·中國路——新中國設(shè)計文獻展[J];裝飾;2008年S1期

3 姚永軍;發(fā)揚愛國主義光榮傳統(tǒng) 加快推進新疆現(xiàn)代化建設(shè)步伐 新疆各族民眾抗日募捐活動檔案文獻展開展——中共中央政治局委員、新疆維吾爾自治區(qū)黨委書記王樂泉參觀展覽[J];中國檔案;2005年11期

4 ;[J];;年期

相關(guān)重要報紙文章 前10條

1 謝立端;期待“網(wǎng)絡(luò)集郵文獻展”[N];中國集郵報;2007年

2 本報藝術(shù)投資分析員 姜長城;文獻展與回顧展：瘋漲期恐慌的應(yīng)對策略[N];上海證券報;2007年

3 藝術(shù)新聞報記者 弗蘭科·法奈立　朱潔樹 編譯;“文獻展來到坎布爾,意味著戰(zhàn)爭結(jié)束”[N];東方早報;2012年

4 記者 周琳;經(jīng)典海西 時代風(fēng)韻[N];福建日報;2008年

5 閩文;“經(jīng)典海西”美術(shù)文獻展聚焦改革開放30年[N];中國藝術(shù)報;2008年

6 本報記者 邱家和;張奇開談“卡塞爾文獻展”的價值[N];上海證券報;2009年

7 韓曉雪;“軍魂藝術(shù)文獻展”展現(xiàn)軍魂國魂[N];文藝報;2007年

8 朱小鈞;今日文獻展：“能量”是這樣聚合的[N];中國文化報;2007年

9 ;融·通——白砥書法探索三十年文獻展[N];美術(shù)報;2014年

10 記者 姚璞;“貧窮藝術(shù)”是亮點[N];美術(shù)報;2012年

相關(guān)碩士學(xué)位論文 前4條

1 鄭佩超;文獻展的展場構(gòu)成模式及其效應(yīng)研究[D];吉林藝術(shù)學(xué)院;2015年

2 王力;藝術(shù)文獻展的學(xué)術(shù)性研究[D];吉林藝術(shù)學(xué)院;2016年

3 錢博穎;當(dāng)代語境下“文獻展”之文獻性試析[D];北京印刷學(xué)院;2017年

4 張源;時空狂歡—大型文體活動多媒體表現(xiàn)研究[D];南京藝術(shù)學(xué)院;2013年

，

本文編號：2243766