現(xiàn)代藝術(shù)之父—塞尚
發(fā)布時間：2019-05-24 17:56
【摘要】：現(xiàn)代主義藝術(shù)作為19世紀(jì)末到20世紀(jì)初的一個藝術(shù)浪潮,以反傳統(tǒng)的姿態(tài)登上了西方畫壇。保羅·塞尚被世人譽為“現(xiàn)代藝術(shù)之父”,在傳統(tǒng)藝術(shù)向現(xiàn)代主義藝術(shù)過渡的過程中,以一個解放者的身份出現(xiàn)在歷史的舞臺上,對藝術(shù)史的發(fā)展產(chǎn)生了深遠的影響。隨之對于塞尚藝術(shù)的研究也成為諸多藝術(shù)史家關(guān)注的熱點,研究視角之多樣、研究領(lǐng)域之廣泛都是前所未有的,目前與其相關(guān)的評論和研究已形成了一個規(guī)模龐大的文獻目錄。本文通過對塞尚藝術(shù)的系統(tǒng)研究,從他的生平到藝術(shù)畫風(fēng),再到理論研究與藝術(shù)影響,使我們對塞尚藝術(shù)有了一個整體的梳理。真正客觀的看待塞尚藝術(shù),有助于引發(fā)對塞尚藝術(shù)的理性思考,否定研究中的極端猜測與分析,并發(fā)現(xiàn)更多影響塞尚藝術(shù)形成的因素。其中,對塞尚藝術(shù)的形式分析和精神分析應(yīng)更加客觀,但值得肯定的是這類分析的確對我們了解塞尚藝術(shù)提供了重要的理論價值。在面對塞尚與東亞美術(shù)聯(lián)系的問題上,由于至今記載二者聯(lián)系的史料和著作依舊很少,所以我們的研究更應(yīng)客觀,通過側(cè)面擴展和間接聯(lián)系來研究分析塞尚對東亞美術(shù)的關(guān)注。塞尚在吸納傳統(tǒng)美學(xué)觀點的同時,摒棄其中的教條主義,結(jié)合自身的藝術(shù)直覺,不斷實踐創(chuàng)新,最終形成獨特的藝術(shù)觀。塞尚對后代藝術(shù)家來說,并非局限于一個傳授知識的老師,更大程度上算是一個引導(dǎo)者,通過“革新”的藝術(shù)觀與藝術(shù)思路,為后代畫家打開了新世界的大門,使其大膽的進行藝術(shù)創(chuàng)新,隨之引發(fā)了轟動歐洲畫壇的現(xiàn)代主義藝術(shù)浪潮。通過本課題的研究,不僅有助于全面客觀的掌握塞尚對繪畫藝術(shù)的主要觀點,了解現(xiàn)代主義藝術(shù)產(chǎn)生的源頭,并且在總結(jié)塞尚藝術(shù)中能夠激起新一輪藝術(shù)浪潮的本質(zhì)的同時,對我國民族藝術(shù)在對抗多元文化沖擊的過程中具有啟發(fā)意義。
[Abstract]:Modernist art, as a wave of art from the end of the 19th century to the beginning of the 20 th century, boarded the western painting world in an anti-traditional manner. Paul Cezanne is known as the "father of modern art" by the world. In the process of transition from traditional art to modernist art, he appeared on the stage of history as a liberator, which had a profound impact on the development of art history. Subsequently, the study of Cezanne art has become the focus of attention of many art historians. The diversity of research perspectives and the wide range of research fields are unprecedented. At present, the comments and research related to Cezanne art have formed a large-scale literature catalogue. Through the systematic study of Cezanne art, from his life to artistic painting style, and then to theoretical research and artistic influence, we have a whole combing of Cezanne art. A true objective view of Cezanne art is helpful to arouse rational thinking on Cezanne art, negate extreme speculation and analysis in the study, and find more factors that affect the formation of Cezanne art. Among them, the formal analysis and psychoanalysis of Cezanne art should be more objective, but it is worth confirming that this kind of analysis does provide important theoretical value for us to understand Cezanne art. In the face of the relationship between Cezanne and East Asian art, there are still few historical materials and works to record the relationship between the two, so our research should be more objective, through lateral expansion and indirect relationship to study and analyze Cezanne's attention to East Asian art. While absorbing the traditional aesthetic point of view, Cezanne abandoned the dogmatism, combined with his own artistic intuition, constantly practiced innovation, and finally formed a unique view of art. For future generations of artists, Cezanne is not limited to a teacher who imparts knowledge, but to a greater extent is a guide. Through the artistic view and artistic thinking of "innovation", he has opened the door to a new world for future generations of painters. It makes it bold to carry out artistic innovation, which leads to the wave of modernist art, which has caused a stir in the field of European painting. Through the study of this subject, it is not only helpful to master Cezanne's main views on painting art comprehensively and objectively, to understand the source of modernist art, but also to sum up the essence of a new wave of art in Cezanne art. It is of enlightening significance to the national art of our country in the process of antagonizing the impact of multiculturalism.
【學(xué)位授予單位】：沈陽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J205
本文編號：2485064
[Abstract]:Modernist art, as a wave of art from the end of the 19th century to the beginning of the 20 th century, boarded the western painting world in an anti-traditional manner. Paul Cezanne is known as the "father of modern art" by the world. In the process of transition from traditional art to modernist art, he appeared on the stage of history as a liberator, which had a profound impact on the development of art history. Subsequently, the study of Cezanne art has become the focus of attention of many art historians. The diversity of research perspectives and the wide range of research fields are unprecedented. At present, the comments and research related to Cezanne art have formed a large-scale literature catalogue. Through the systematic study of Cezanne art, from his life to artistic painting style, and then to theoretical research and artistic influence, we have a whole combing of Cezanne art. A true objective view of Cezanne art is helpful to arouse rational thinking on Cezanne art, negate extreme speculation and analysis in the study, and find more factors that affect the formation of Cezanne art. Among them, the formal analysis and psychoanalysis of Cezanne art should be more objective, but it is worth confirming that this kind of analysis does provide important theoretical value for us to understand Cezanne art. In the face of the relationship between Cezanne and East Asian art, there are still few historical materials and works to record the relationship between the two, so our research should be more objective, through lateral expansion and indirect relationship to study and analyze Cezanne's attention to East Asian art. While absorbing the traditional aesthetic point of view, Cezanne abandoned the dogmatism, combined with his own artistic intuition, constantly practiced innovation, and finally formed a unique view of art. For future generations of artists, Cezanne is not limited to a teacher who imparts knowledge, but to a greater extent is a guide. Through the artistic view and artistic thinking of "innovation", he has opened the door to a new world for future generations of painters. It makes it bold to carry out artistic innovation, which leads to the wave of modernist art, which has caused a stir in the field of European painting. Through the study of this subject, it is not only helpful to master Cezanne's main views on painting art comprehensively and objectively, to understand the source of modernist art, but also to sum up the essence of a new wave of art in Cezanne art. It is of enlightening significance to the national art of our country in the process of antagonizing the impact of multiculturalism.
【學(xué)位授予單位】：沈陽大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J205
【參考文獻】
相關(guān)期刊論文 前2條
1 陳子們;;談藝三題[J];創(chuàng)作與評論;2013年14期
2 李明偉;穿越世紀(jì)——解讀林風(fēng)眠的中西融合藝術(shù)教育思想[J];藝術(shù)探索;2003年03期
相關(guān)碩士學(xué)位論文 前6條
1 王冰冰;從“圣維克多山”系列風(fēng)景畫看塞尚繪畫真實觀的演變[D];浙江大學(xué);2015年
2 衛(wèi)瑞國;賈科梅蒂與塞尚繪畫藝術(shù)之比較[D];山西大學(xué);2014年
3 侯欣;解讀塞尚[D];青島科技大學(xué);2012年
4 李詩龍;從語言學(xué)視角看塞尚[D];河南大學(xué);2011年
5 孔強;淺析中國古典園林中的構(gòu)成藝術(shù)[D];西北農(nóng)林科技大學(xué);2008年
6 尹小晨;本質(zhì)之美，永恒之美[D];河北師范大學(xué);2008年
，本文編號：2485064
本文鏈接：http://www.wukwdryxk.cn/shoufeilunwen/zaizhiboshi/2485064.html
最近更新
教材專著
