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當(dāng)代婚慶旗袍的紋樣設(shè)計(jì)研究與實(shí)踐

發(fā)布時(shí)間:2019-06-10 13:37
【摘要】:本次設(shè)計(jì)的題目是“當(dāng)代婚慶旗袍的紋樣設(shè)計(jì)研究與實(shí)踐”,在2013年國家文化創(chuàng)新工程項(xiàng)目(13086012-B)的背景下,以現(xiàn)代數(shù)碼仿真彩色絲織技術(shù)為依托,設(shè)計(jì)創(chuàng)作婚慶旗袍紋樣,來滿足當(dāng)代女性的審美需求。本實(shí)踐分為兩種風(fēng)格的十件旗袍紋樣設(shè)計(jì),讓婚慶旗袍能夠展現(xiàn)新的魅力,改變?nèi)藗儾幌氪、不敢穿旗袍的想?提升民族服飾的文化性。需求調(diào)研報(bào)告,根據(jù)婚慶旗袍的創(chuàng)新紋樣設(shè)計(jì),對(duì)市場(chǎng)中現(xiàn)有婚禮服品牌的旗袍紋樣進(jìn)行調(diào)研,重點(diǎn)對(duì)原創(chuàng)婚禮服定制和傳統(tǒng)成衣旗袍的紋樣進(jìn)行研究,通過實(shí)體門店走訪、客戶推介會(huì)、網(wǎng)店瀏覽以及文獻(xiàn)資料查閱等進(jìn)行當(dāng)代婚慶旗袍紋樣調(diào)研,發(fā)現(xiàn)市場(chǎng)上的婚慶旗袍紋樣題材陳舊、色彩單一,已遠(yuǎn)遠(yuǎn)不能滿足人們個(gè)性化、情感性的需求?偨Y(jié)出市場(chǎng)上婚慶旗袍目前存在的問題,提出將婚慶旗袍的紋樣進(jìn)行豐富性、獨(dú)特性、多場(chǎng)合設(shè)計(jì)的新需求。需求調(diào)研分析為本設(shè)計(jì)提供了創(chuàng)意切入點(diǎn),將婚慶旗袍的紋樣按照一定風(fēng)格傾向進(jìn)行設(shè)計(jì)。文獻(xiàn)研究報(bào)告,根據(jù)婚慶旗袍紋樣設(shè)計(jì)風(fēng)格的要求,對(duì)婚慶旗袍的相關(guān)文獻(xiàn)進(jìn)行研究,通過翻閱書籍和梳理文獻(xiàn),重點(diǎn)對(duì)婚慶旗袍紋樣的風(fēng)格、藝術(shù)表現(xiàn)手法以及工藝制作進(jìn)行研究,總結(jié)出婚慶旗袍紋樣設(shè)計(jì)的風(fēng)格組成內(nèi)容,提煉出紋樣設(shè)計(jì)的藝術(shù)表現(xiàn)手法,發(fā)現(xiàn)織錦工藝應(yīng)用與婚慶旗袍的可行性和穩(wěn)定性,為婚慶旗袍紋樣設(shè)計(jì)提供理論支持。設(shè)計(jì)過程報(bào)告,根據(jù)婚慶旗袍紋樣傳承“紋”化和多場(chǎng)合設(shè)計(jì)的理念,審美性、適應(yīng)性和個(gè)性化原則的要求,界定為傳統(tǒng)風(fēng)格和時(shí)尚風(fēng)格。通過對(duì)紋樣設(shè)計(jì)風(fēng)格的題材選擇、造型構(gòu)成和色彩配置的闡述,突出紋樣設(shè)計(jì)風(fēng)格的表達(dá)。紋樣設(shè)計(jì)中以傳承與借鑒、解構(gòu)與組合、裝飾與模仿的藝術(shù)表現(xiàn)手法,將手繪和電腦繪制的素材導(dǎo)入圖像處理軟件進(jìn)行后期完善再設(shè)計(jì)。完成十件紋樣設(shè)計(jì)作品,以實(shí)物的形式展出,未完成旗袍縫制的,以面料小樣的形式進(jìn)行展出?偨Y(jié)報(bào)告,針對(duì)85后適婚女性對(duì)婚慶旗袍紋樣設(shè)計(jì)的審美需求為導(dǎo)向,以創(chuàng)新紋樣設(shè)計(jì)風(fēng)格為指導(dǎo),設(shè)計(jì)風(fēng)格多樣、藝術(shù)表現(xiàn)手法不同的婚慶旗袍紋樣,改變傳統(tǒng)婚慶旗袍紋樣雷同,原創(chuàng)婚禮服定制受眾少的局面,使當(dāng)代婚慶旗袍繼承發(fā)展傳統(tǒng),順應(yīng)時(shí)尚潮流。
[Abstract]:The title of this design is "Research and practice of pattern Design of Contemporary wedding cheongsam". Under the background of 2013 National Cultural Innovation Project (13086012 / B), it is based on modern digital simulation color silk weaving technology. Design and create wedding cheongsam patterns to meet the aesthetic needs of contemporary women. This practice is divided into two styles of ten pieces of cheongsam pattern design, so that wedding cheongsam can show new charm, change the idea that people do not want to wear cheongsam, dare not wear cheongsam, and enhance the cultural nature of national clothing. The demand research report, according to the innovative pattern design of wedding cheongsam, carries on the investigation to the cheongsam pattern of the existing wedding dress brand in the market, focuses on the original wedding dress customization and the traditional ready-to-wear cheongsam pattern research, through the physical store visit, Customer promotion meeting, online store browsing and literature review of contemporary wedding cheongsam pattern research, found that the market wedding cheongsam pattern theme is old, color is single, has been far from meeting the personalized and emotional needs of people. This paper summarizes the existing problems of wedding cheongsam in the market, and puts forward the new demand of richness, uniqueness and multi-occasion design of wedding cheongsam. Demand research and analysis provides a creative entry point for this design, and designs the patterns of wedding cheongsam according to a certain style tendency. According to the requirements of the design style of wedding cheongsam, this paper studies the relevant literature of wedding cheongsam, and focuses on the style of wedding cheongsam through reading books and combing the literature. The artistic expression technique and the craft production are studied, the style composition content of the wedding cheongsam pattern design is summarized, the artistic expression technique of the wedding cheongsam design is extracted, and the feasibility and stability of the tapestry craft application and the wedding cheongsam design are found. It provides theoretical support for the design of cheongsam pattern for wedding. According to the concept of "tattooing" and multi-occasion design, the design process report is defined as traditional style and fashion style according to the requirements of aesthetic, adaptability and personalized principles. Through the theme selection, modeling composition and color configuration of pattern design style, the expression of pattern design style is highlighted. In the pattern design, with the artistic expression of inheritance and reference, Decoration and combination, decoration and imitation, the materials drawn by hand and computer are introduced into the image processing software for later improvement and redesign. Complete ten pattern design works, in the form of objects, unfinished cheongsam sewing, in the form of fabric samples for display. The summary report aims at the aesthetic demand of marriage cheongsam pattern design for married women after 85. under the guidance of innovative pattern design style, the wedding cheongsam pattern with various design styles and different artistic expression techniques is guided by the aesthetic demand of marriage cheongsam pattern design, which is guided by innovative pattern design style and different artistic expression techniques. Change the traditional wedding cheongsam pattern is the same, the original wedding dress custom audience small situation, so that the contemporary wedding cheongsam inherits the development tradition, conforms to the fashion trend.
【學(xué)位授予單位】:浙江理工大學(xué)
【學(xué)位級(jí)別】:碩士
【學(xué)位授予年份】:2017
【分類號(hào)】:J523.5

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