北京榮寶齋木版水印工藝調(diào)研
發(fā)布時間：2018-08-16 10:07
【摘要】：本文以北京榮寶齋木版水印工藝為研究對象，基本內(nèi)容分為四個部分：首先，闡述木版水印的基本概念、目前的研究現(xiàn)狀及文獻綜述；其次，梳理中國傳統(tǒng)木版水印與榮寶齋木版水印的歷史沿革與傳承；第三，介紹一般木版水印工藝與榮寶齋木版水印工藝，著重考察古代繪畫與現(xiàn)代繪畫印刷的工藝，對其所需要的設(shè)備環(huán)境、工具、印刷材料、顏色調(diào)制以及印刷技巧進行考察與比對分析，，總結(jié)古代繪畫與現(xiàn)當代繪畫在印刷工藝上的區(qū)別；最后，闡述以榮寶齋為代表的木版水印工藝的價值與意義，分別闡述木版水印在中國傳統(tǒng)版畫印制工藝中、在機械與數(shù)字復制時代的獨特價值，以及它的經(jīng)濟與文化價值。本文以采訪、實地考察、文獻梳理、案例分析等為主要研究方法。
[Abstract]:The basic content of this paper is divided into four parts: firstly, the basic concept of wood-based watermarking, the current research situation and literature review; secondly, Combing the history and inheritance of Chinese traditional wood-watermarks and Rongbaozhai wood-plate watermarks; third, introducing the general wood-plate watermarking technology and Rongbaozhai wood-plate watermarks technology, focusing on the ancient painting and modern painting printing technology, The equipment environment, tools, printing materials, color modulation and printing skills are investigated and compared, and the differences between ancient painting and modern painting in printing technology are summarized. This paper expounds the value and significance of wood-plate watermarking technology represented by Rongbaozhai, and expounds the unique value of wood-plate watermark in Chinese traditional printmaking technology in the age of mechanical and digital reproduction, as well as its economic and cultural value. In this paper, interviews, field visits, literature review, case analysis as the main research methods.
【學位授予單位】：北京印刷學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：TS851.5;J209.2
[Abstract]:The basic content of this paper is divided into four parts: firstly, the basic concept of wood-based watermarking, the current research situation and literature review; secondly, Combing the history and inheritance of Chinese traditional wood-watermarks and Rongbaozhai wood-plate watermarks; third, introducing the general wood-plate watermarking technology and Rongbaozhai wood-plate watermarks technology, focusing on the ancient painting and modern painting printing technology, The equipment environment, tools, printing materials, color modulation and printing skills are investigated and compared, and the differences between ancient painting and modern painting in printing technology are summarized. This paper expounds the value and significance of wood-plate watermarking technology represented by Rongbaozhai, and expounds the unique value of wood-plate watermark in Chinese traditional printmaking technology in the age of mechanical and digital reproduction, as well as its economic and cultural value. In this paper, interviews, field visits, literature review, case analysis as the main research methods.
【學位授予單位】：北京印刷學院
【學位級別】：碩士
【學位授予年份】：2013
【分類號】：TS851.5;J209.2
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