西北山水與石魯山水畫研究
發(fā)布時間：2018-10-16 12:38
【摘要】：在山水畫的發(fā)展過程中,地域性一直影響著中國山水畫風(fēng)格的形成。獨(dú)特的自然環(huán)境和文化差異會形成不同的地緣文化,這種地緣文化的差異性對山水畫的創(chuàng)作有著重要的影響,更影響著山水畫的不同發(fā)展趨向。本文著重研究西北山水地域性因素對石魯山水畫語言形成的的影響,同時對石魯不同時期的山水畫作出對比,以求更加全面地分析石魯山水畫的地域風(fēng)格。作為二十世紀(jì)“長安畫派”的代表畫家,石魯在他的山水畫創(chuàng)作中做了大膽的變革嘗試,不斷地探索研究。石魯?shù)纳剿嬜髌穼⑽鞅钡纳n茫、荒涼的自然景觀表現(xiàn)出磅礴大氣的美學(xué)境界,具有鮮明的地域特色。這些都是石魯長期對西北地域風(fēng)貌和文化的深入探求以及“師造化”的成果,最終形成了質(zhì)樸,深沉的時代藝術(shù)風(fēng)格。因此,本文試圖結(jié)合西北地區(qū)的地貌特征,以石魯西北題材山水畫作品作為重點(diǎn)來分析論證石魯山水畫語言形成的過程、特點(diǎn)以及藝術(shù)思想的獨(dú)特性。石魯探索的這種獨(dú)特的山水畫筆墨表現(xiàn)語言,使他成為了奔放、質(zhì)樸的“長安畫派”新筆墨的開拓者。從歷史影響上來說,為中國畫描繪西北題材探尋到了一種獨(dú)特的筆墨表現(xiàn)形式,也為現(xiàn)當(dāng)代的山水畫創(chuàng)作發(fā)展指出了一條新的道路。
[Abstract]:In the development process of landscape painting, regionalism has always affected the formation of Chinese landscape painting style. Unique natural environment and cultural differences will form different geo-culture, this difference of geographical culture has an important impact on the creation of landscape painting, but also affects the different development trends of landscape painting. This paper focuses on the influence of regional factors of northwest landscape on the formation of Shi Lu's landscape painting language. At the same time, the author makes a comparison of the landscape painting in the different periods, in order to analyze the regional style of the landscape painting of Shi Lu in a more comprehensive way. As the representative painter of Chang'an painting School in the 20th century, Shi Lu has made a bold attempt in his landscape painting creation, and has been exploring and studying constantly. Shi Lu's landscape painting works show the boundless and desolate natural landscape in the northwest of China. These are the fruits of Shi Lu's long-term exploration of the style and culture of Northwest China, and the formation of a simple and profound artistic style of the times. Therefore, this paper tries to combine the geomorphological characteristics of northwest region, taking Shi Lu's landscape painting works of northwest theme as the focus to analyze and demonstrate the process, characteristics and uniqueness of artistic thought of the language formation of Shi Lu landscape painting. Shi Lu explored this unique language of painting and painting, which made him a pioneer of the bold and simple "Changan painting School". From the perspective of historical influence, this paper explores a unique form of brush and ink expression for depicting the Northwest theme of Chinese painting, and also points out a new way for the development of modern and contemporary landscape painting creation.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212
本文編號：2274385
[Abstract]:In the development process of landscape painting, regionalism has always affected the formation of Chinese landscape painting style. Unique natural environment and cultural differences will form different geo-culture, this difference of geographical culture has an important impact on the creation of landscape painting, but also affects the different development trends of landscape painting. This paper focuses on the influence of regional factors of northwest landscape on the formation of Shi Lu's landscape painting language. At the same time, the author makes a comparison of the landscape painting in the different periods, in order to analyze the regional style of the landscape painting of Shi Lu in a more comprehensive way. As the representative painter of Chang'an painting School in the 20th century, Shi Lu has made a bold attempt in his landscape painting creation, and has been exploring and studying constantly. Shi Lu's landscape painting works show the boundless and desolate natural landscape in the northwest of China. These are the fruits of Shi Lu's long-term exploration of the style and culture of Northwest China, and the formation of a simple and profound artistic style of the times. Therefore, this paper tries to combine the geomorphological characteristics of northwest region, taking Shi Lu's landscape painting works of northwest theme as the focus to analyze and demonstrate the process, characteristics and uniqueness of artistic thought of the language formation of Shi Lu landscape painting. Shi Lu explored this unique language of painting and painting, which made him a pioneer of the bold and simple "Changan painting School". From the perspective of historical influence, this paper explores a unique form of brush and ink expression for depicting the Northwest theme of Chinese painting, and also points out a new way for the development of modern and contemporary landscape painting creation.
【學(xué)位授予單位】：中國藝術(shù)研究院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：J212
【參考文獻(xiàn)】
相關(guān)期刊論文 前1條
1 李青;文化生態(tài)與西部美術(shù)的發(fā)展[J];汕頭大學(xué)學(xué)報;2002年06期
相關(guān)碩士學(xué)位論文 前2條
1 孫袁偉;石魯山水畫風(fēng)格研究[D];重慶大學(xué);2013年
2 金成輝;當(dāng)代西北山水畫藝術(shù)風(fēng)格研究[D];西北師范大學(xué);2010年
，本文編號：2274385
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