發(fā)布時(shí)間：2018-10-16 13:09

【摘要】：在文化多元化、思想個(gè)性化、藝術(shù)低俗化、生活趨同化、消費(fèi)全球化的撞擊下，當(dāng)代油畫(huà)也面臨著諸多問(wèn)題。其中最為突出的便是藝術(shù)精神的弱化，這使得當(dāng)代一些油畫(huà)呈現(xiàn)出精細(xì)媚俗、平淡油滑、重形式不重韻致或是色彩怪誕離奇等現(xiàn)象。我們提倡油畫(huà)作品中的意境表現(xiàn)，這也是油畫(huà)作品中不可或缺的精神內(nèi)涵和審美追求。雖然它產(chǎn)生于千年前，但它蘊(yùn)含著當(dāng)代油畫(huà)發(fā)展的較大可能性，其中對(duì)意境表現(xiàn)內(nèi)涵的探討，對(duì)于促進(jìn)油畫(huà)審美的研究、實(shí)現(xiàn)油畫(huà)創(chuàng)作實(shí)踐的創(chuàng)新，促進(jìn)高校油畫(huà)方向研究生創(chuàng)作能力的提高，注重探索性與時(shí)代性的結(jié)合，具有較好的理論探討和實(shí)踐應(yīng)用參考價(jià)值。 意境是一種直觀感覺(jué)的東西，是指在特定的環(huán)境中，瞬間觸動(dòng)人的心靈的審美感受；油畫(huà)意境在作品中體現(xiàn)的抽象精神必須依托作者主觀情感的流露，通過(guò)對(duì)物象本質(zhì)的挖掘，，各種“技巧”的具體運(yùn)用，達(dá)到超越物化層面的精神境界。 本文將通過(guò)當(dāng)代油畫(huà)現(xiàn)狀的分析，研究和闡述傳統(tǒng)審美觀念———意境在當(dāng)代油畫(huà)表現(xiàn)中的美學(xué)思考和重新建構(gòu)。通過(guò)對(duì)固有繪畫(huà)理念中意境的探究及駕馭，對(duì)前輩油畫(huà)創(chuàng)作中意境的領(lǐng)悟和研究來(lái)發(fā)掘其在畫(huà)面中的表現(xiàn)；從而建構(gòu)和充實(shí)自己的意境表達(dá)理念。在自己的油畫(huà)創(chuàng)作中將采用意境表現(xiàn)的繪畫(huà)理論與創(chuàng)作實(shí)踐，作為其探究的內(nèi)容，對(duì)油畫(huà)中所存在的眾多問(wèn)題進(jìn)行整理與深入探尋；并從審美的視角探索油畫(huà)意境表現(xiàn)在美學(xué)上的文化價(jià)值和審美特征。
[Abstract]:Under the influence of cultural pluralism, individuation of thought, vulgarization of art, assimilation of life and globalization of consumption, contemporary oil painting also faces many problems. One of the most prominent is the weakening of artistic spirit, which makes some contemporary oil paintings show fine vulgarity, plain and smooth, heavy form not rhyme or strange color phenomenon. We advocate the expression of artistic conception in oil painting, which is also an indispensable spiritual connotation and aesthetic pursuit in oil painting. Although it came into being a thousand years ago, it contains a great possibility of the development of contemporary oil painting, in which the discussion of the connotation of artistic conception can promote the research of oil painting aesthetics and realize the innovation of oil painting creation practice. To improve the creative ability of graduate students in the direction of oil painting in colleges and universities, and pay attention to the combination of exploration and times, it has good reference value for theoretical discussion and practical application. Artistic conception is a kind of intuitionistic feeling, it refers to the aesthetic feeling that touches people's soul instantly in a specific environment, the abstract spirit embodied in oil painting artistic conception in the works must rely on the exposition of the author's subjective emotion, through excavating the essence of the object image, The concrete application of various "skills" has reached the spiritual realm beyond the materialization level. Through the analysis of the present situation of contemporary oil painting, this paper will study and expound the aesthetic thinking and re-construction of the traditional aesthetic concept-artistic conception in the contemporary oil painting performance. Through the exploration and control of the artistic conception in the inherent painting concept, to understand and study the artistic conception of the older generation oil painting creation to explore its performance in the picture, thus construct and enrich their artistic conception expression idea. In his own oil painting creation will adopt artistic conception performance painting theory and creation practice, as its inquiry content, carries on the arrangement and the thorough exploration to the oil painting existence many questions; And from the aesthetic perspective to explore the artistic conception of oil painting in the aesthetic expression of cultural value and aesthetic characteristics.
【學(xué)位授予單位】：贛南師范學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2013
【分類號(hào)】：J213

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本文編號(hào)：2274462