發(fā)布時(shí)間：2018-04-13 18:18

  本文選題：中國史前藝術(shù) + 生命母題　； 參考：《南京藝術(shù)學(xué)院》2010年碩士論文

【摘要】： 藝術(shù)起源問題屬于藝術(shù)發(fā)生學(xué)的研究范圍,它不僅是藝術(shù)史研究的對象之一,更是藝術(shù)原理研究的重要內(nèi)容之一。有關(guān)藝術(shù)起源論的探討,學(xué)術(shù)界觀點(diǎn)不一。目前國內(nèi)學(xué)術(shù)界已逐漸開始對以往的藝術(shù)起源論進(jìn)行反思,并基本否認(rèn)了“藝術(shù)起源于××”某種單一的藝術(shù)起源理論,而認(rèn)為藝術(shù)發(fā)生的原因與多方面因素有關(guān),它的研究應(yīng)具有多元性和開放性。鑒于此,本文將以生命母題(生殖與食物主題)作為研究對象,運(yùn)用文化人類學(xué)等學(xué)科的理論及方法對中國史前視覺藝術(shù)作品中生命母題的基本內(nèi)容、主要的藝術(shù)呈現(xiàn)方式、頻繁出現(xiàn)的原因、及其與生命主體之間的關(guān)系等問題作深入的分析,以此試圖對藝術(shù)發(fā)生問題作嘗試性探討,并得出本文的基本結(jié)論:藝術(shù)的發(fā)生至少與兩個(gè)決定性因素密切相關(guān):第一,內(nèi)因(基礎(chǔ)因素)——原始本能需求(人類自身生命的產(chǎn)生與基本的延續(xù));第二,外因(動(dòng)力因素)——在原始思維的指引下,在勞動(dòng)實(shí)踐的基礎(chǔ)上,以滿足原始本能需求為目的而充分發(fā)揮主觀能動(dòng)性所采取各種手段和方法。其中,藝術(shù)形象的塑造過程是史前人在原始世界觀(主要是巫術(shù)思維)引導(dǎo)下,自主選擇和運(yùn)用符號(hào)的過程,史前藝術(shù)作品最初是實(shí)現(xiàn)目的的媒介。
[Abstract]:The origin of art belongs to the research scope of art genesis, which is not only one of the objects of art history research, but also one of the important contents of art principle research.There are different views on the theory of the origin of art.At present, the domestic academic circles have gradually begun to reflect on the former theory of the origin of art, and have basically denied that "the origin of art originated from 脳 脳" some kind of single theory of the origin of art, and thought that the reason of the occurrence of art is related to many factors.Its research should be pluralistic and open.In view of this, this article will take the life motif (reproduction and food theme) as the research object, uses the theories and methods of cultural anthropology and other disciplines to analyze the basic content of the life motif in the Chinese prehistoric visual art works and the main artistic presentation methods.The causes of frequent occurrence and the relationship between them and the subject of life are deeply analyzed in order to try to probe into the problems of art.The basic conclusions of this paper are as follows: the occurrence of art is closely related to at least two decisive factors: first, internal factors (basic factors: primitive instinctive needs) (the generation and basic continuation of human life); second,Under the guidance of primitive thinking and on the basis of labor practice, external factors (motive factors) are all kinds of means and methods to give full play to subjective initiative in order to meet the demand of primitive instinct.Among them, the process of shaping the artistic image is the process of choosing and using symbols independently under the guidance of the primitive world outlook (mainly witchcraft thinking), and the prehistoric works of art are the media to achieve the purpose at first.
【學(xué)位授予單位】：南京藝術(shù)學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2010
【分類號(hào)】：J110.9

【引證文獻(xiàn)】

相關(guān)碩士學(xué)位論文 前1條

1 王曉婷;中國史前女性人像雕塑功能研究[D];南京藝術(shù)學(xué)院;2013年

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本文編號(hào)：1745651