發(fā)布時(shí)間：2018-04-15 22:03

  本文選題：文學(xué)與思想 + 視域歧分　； 參考：《中國比較文學(xué)》2017年02期

【摘要】：論文從"視域歧分"的視角考察了文學(xué)與思想的歷史關(guān)聯(lián),指出西方文化基于"同一性"的真理觀奠定了"原本"與"摹本"、"理性"與"欲望"、"推理"與"敘述"等一系列二元對(duì)立的思維模式,與此相應(yīng),思想(哲學(xué))取得了對(duì)文學(xué)的支配地位。古代中國文化雖然也重統(tǒng)貫之"一",并有"文""道"之分,卻未建立哲學(xué)與文學(xué)的文類對(duì)立。論文以海德格爾為個(gè)案辨析了"詩""思"合一的哲學(xué)內(nèi)蘊(yùn)及具體表現(xiàn),并對(duì)文學(xué)的思想史研究提出了一些自己的見解。
[Abstract]:This paper examines the historical relationship between literature and thought from the perspective of "disambiguation of vision".It is pointed out that the truth view of western culture based on "identity" has established a series of binary opposite thinking modes, such as "original" and "copy", "reason" and "desire", "reasoning" and "narration".Thought (philosophy) has gained a dominant position in literature.Although ancient Chinese culture also emphasized "one", and there were "literature" and "Tao", there was no correspondence between philosophy and literature.This paper takes Heidegger as a case to analyze the philosophical connotation and concrete expression of "poetry" and "thought", and puts forward some views on the study of literary history of thought.
【作者單位】： 上海師范大學(xué)國家重點(diǎn)學(xué)科比較文學(xué)與世界文學(xué)中心;
【基金】：上海高校高峰學(xué)科建設(shè)計(jì)劃資助“中國語言文學(xué)”的階段性成果
【分類號(hào)】：I0-02
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本文編號(hào)：1755978