《匹格梅梁》的三個文本——儒家思想視角下的變形初探
發(fā)布時間：2025-01-10 22:12
在藝術(shù)發(fā)展史上,誕生于遠(yuǎn)古時代的“變形”,日漸顯露出其在藝術(shù)中的獨特地位,其蘊含的魅力及趣味性,受到學(xué)界許多專家學(xué)者關(guān)注。目前,哲學(xué)家、文學(xué)家、精神分析學(xué)家、人類學(xué)家分別從相關(guān)領(lǐng)域,對這一主題進(jìn)行了探討。但對于“何為變形”這樣的問題,學(xué)界始終未能給出明確的定義,反而在眾說紛紜的闡釋下,使“變形”這一命題呈現(xiàn)出模糊性。“變形”的界定無疑是研究和理解文學(xué)變形的一大障礙,面臨這種困惑,應(yīng)當(dāng)首先從本體論角度解決“變形本體”的意義內(nèi)涵問題。 按照上述理路,本文在對“變形”這一概念的開掘上,將引入儒家經(jīng)典文本中相關(guān)“變”與“化”的理論,試圖還原“變形”的原始意義,并著重于“變形”規(guī)律及方法的精要提煉,同時從形而上層面上就“變形”理念在哲學(xué)范疇內(nèi)做出多層次的討論,以便將其置入具體文本。本文選擇《匹格梅梁》為實例,運用文學(xué)中的“變形規(guī)律”分別在其三個不同版本的文本中做實證分析,從而揭示出文學(xué)變形在不同層面上的潛在內(nèi)涵。 引言部分闡述選擇“文學(xué)變形”這一主題的動機(jī),對研究目標(biāo)做簡單的提要解析,同時回顧目前學(xué)界對“變形”命題的研究概況,據(jù)此構(gòu)建出本文大致結(jié)構(gòu)框架。最后突出本文創(chuàng)新點:嘗試由中...
【文章頁數(shù)】：66 頁
【學(xué)位級別】：碩士
【文章目錄】：
Acknowledgements
Abstract (English)
摘要
Introduction
An Introduction to Literary Transformation
A Delimitation of Literary Transformation
A Brief Introduction to Literature of Transformation
Three Versions of Pygmalion as Samples
Literature Review
Organization of the Thesis
Chapter One What Transformation Is
1.1 Ontological Significance of Transformation
1.1.1 Change in Book of Changes
1.1.2 Transformation as Change
1.2 Tao and Trichotomy
1.2.1 Tao as the Fundamental Law of Changes
1.2.2 Reification of Tao
1.2.3 Trichotomy as the Law of Transformation
1.3 A Summary
Chapter Two Ancient Transformation
2.1 Communication between Life and Death
2.1.1 Conflict between Nature and Human Society
2.1.2 Fusion of Nature and Human Community
2.2 Transformation in Mythology
2.2.1 Integration of Life
2.2.2 Transformation as the Way to Recognize the World
Chapter Three Modern Transformation
3.1 Characterization of the “Third”
3.1.1 Eliza Before Transformation
3.1.2 Eliza after Transformation
3.2 Transformation without Divinity
3.3 Imbalance of human nature
3.3.1 Corruption of Man’s nature
3.3.2 Inborn Nature and Acquired Nature
Chapter Four Romantic Transformation
4.1 Galathea’s Awakening
4.1.1 Galathea as the Doll of Pygmalion
4.1.2 Galathea as a self-sufficient woman
4.2 Transformation of the Mind
4.3 Summary
Conclusion
Bibliography
本文編號：4025499
【文章頁數(shù)】：66 頁
【學(xué)位級別】：碩士
【文章目錄】：
Acknowledgements
Abstract (English)
摘要
Introduction
An Introduction to Literary Transformation
A Delimitation of Literary Transformation
A Brief Introduction to Literature of Transformation
Three Versions of Pygmalion as Samples
Literature Review
Organization of the Thesis
Chapter One What Transformation Is
1.1 Ontological Significance of Transformation
1.1.1 Change in Book of Changes
1.1.2 Transformation as Change
1.2 Tao and Trichotomy
1.2.1 Tao as the Fundamental Law of Changes
1.2.2 Reification of Tao
1.2.3 Trichotomy as the Law of Transformation
1.3 A Summary
Chapter Two Ancient Transformation
2.1 Communication between Life and Death
2.1.1 Conflict between Nature and Human Society
2.1.2 Fusion of Nature and Human Community
2.2 Transformation in Mythology
2.2.1 Integration of Life
2.2.2 Transformation as the Way to Recognize the World
Chapter Three Modern Transformation
3.1 Characterization of the “Third”
3.1.1 Eliza Before Transformation
3.1.2 Eliza after Transformation
3.2 Transformation without Divinity
3.3 Imbalance of human nature
3.3.1 Corruption of Man’s nature
3.3.2 Inborn Nature and Acquired Nature
Chapter Four Romantic Transformation
4.1 Galathea’s Awakening
4.1.1 Galathea as the Doll of Pygmalion
4.1.2 Galathea as a self-sufficient woman
4.2 Transformation of the Mind
4.3 Summary
Conclusion
Bibliography
本文編號：4025499
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