發(fā)布時間：2018-03-16 22:44

  本文選題：新世紀　切入點：少數(shù)民族詩歌　出處：《阜陽師范學(xué)院》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：新世紀以降,現(xiàn)代性話語在各邊遠民族區(qū)域的深度播撒,少數(shù)民族群體日益面臨著傳統(tǒng)空間解體和難以融入其他異質(zhì)空間的尷尬,城市化步伐加速更使得他們在傳統(tǒng)空間和城市空間彼此碰撞下難以找到“棲息之地”,而不得不處于漂泊、歸屬感缺失狀態(tài)�；蛘哒f,由空間混雜所形塑的認同焦慮成為他們最為切己性的現(xiàn)代性體驗,傳統(tǒng)與現(xiàn)代、本土與全球,自我與他者的沖突與纏繞、矛盾與調(diào)適、碰撞與顛覆等使得少數(shù)民族群體的生活經(jīng)驗與情感體驗較之前發(fā)生了根本性改變。詩歌是社會生活最迅捷、最敏銳的審美反映形式。從空間角度對新世紀少數(shù)民族詩歌予以研究,不僅可以理清其生成背景、敘事藝術(shù)及書寫范式等問題,還可以探尋其書寫意義及深層原因、趨勢、存在問題等。論文主要研究內(nèi)容有“緒論”、“第一章:新世紀少數(shù)民族詩歌的傳統(tǒng)空間書寫”、“第二章:新世紀少數(shù)民族詩歌的城市空間書寫”、“第三章:新世紀少數(shù)民族詩歌的空間書寫模式”。“緒論”部分包括:對論文的研究緣起、研究意義、研究現(xiàn)狀、研究方法等問題的簡要概括。著重探討了空間理論介入新世紀少數(shù)民族詩歌研究的可能,以及由此而帶來的諸多新發(fā)現(xiàn),新思考。第一章包括第一節(jié):新世紀少數(shù)民族詩歌的“外來者”書寫;第二節(jié):新世紀少數(shù)民族詩歌的“悸動者”書寫。首先論述了少數(shù)民族詩歌由頌歌體寫作到族群文化自覺書寫的轉(zhuǎn)變及背景、原因等,然后分析了新世紀少數(shù)民族詩歌書寫傳統(tǒng)空間的深層次原因,接著分析了傳統(tǒng)空間中的典型形象“外來者”在詩歌中的表現(xiàn)、特點和“外來者”對傳統(tǒng)空間的沖擊;最后論述了“悸動者”如何加速傳統(tǒng)空間瓦解等。第二章包括第一節(jié):新世紀少數(shù)民族詩歌的“恐慌者”書寫;第二節(jié):新世紀少數(shù)民族詩歌的“逃離者”書寫;第三節(jié):新世紀少數(shù)民族詩歌的“第三空間”書寫。首先說明在時代背景下傳統(tǒng)空間中的少數(shù)民族成員不得不進入城市空間中的原因及其對城市的不適應(yīng)而產(chǎn)生的恐慌和逃離情感,然后論述了其為何恐慌、在新世紀少數(shù)民族詩歌中怎樣描繪“恐慌者”的;最后是城市空間中的“逃離者”形象,分析了為何要逃離及其形象的書寫和逃往哪里。第三章是對新世紀少數(shù)民族詩歌空間書寫模式的論述�？傮w看來,盡管新世紀少數(shù)民族詩歌執(zhí)著于空間問題書寫,但對少數(shù)民族群體而言,他們的空間焦慮同時也是一種時間焦慮。因為,就少數(shù)民族群體而言,他們是在尚未充分做好接納現(xiàn)代性準備的情況下而被強行納入其運作邏輯的,由此引發(fā)諸多的不適或困惑。在這種現(xiàn)代性焦慮面前,少數(shù)民族詩人很可能通過傳統(tǒng)和現(xiàn)代空間的劃界方式來建構(gòu)族群認同,傳統(tǒng)空間與現(xiàn)代空間的對比性敘事在少數(shù)民族詩歌中便以經(jīng)典的“從前——現(xiàn)在”作為表征。這樣,新世紀少數(shù)民族詩歌的空間書寫便轉(zhuǎn)化為兩種最為基本的書寫模式:第一節(jié):“從前——現(xiàn)在”書寫模式;第二節(jié):“他者——自我”書寫模式。當(dāng)然,上述各章節(jié)的界定與概述,只是一種粗線條的勾勒,其內(nèi)在問題的復(fù)雜性及表現(xiàn)形式的多重性遠非本文所能涵括。
[Abstract]:In the new century, the discourse of modernity in the depth of seeding in remote ethnic areas, minority groups increasingly faced with the disintegration of the traditional space and it is difficult to integrate into the other heterogeneous space of embarrassment, accelerating the pace of city makes them more in the traditional space and city space collide with each other under the difficult to find the "Habitat", and have to drift and lack of sense of belonging. Or, by the space of hybrid identity shaped by anxiety become their most modern experience of personal, traditional and modern, local and global, self and other winding and conflict, contradiction and adjustment, collision and subversion makes minorities life experience and emotion compared to the previous experience have fundamentally changed the social life. Poetry is the fastest, the most acute form of aesthetic reflection. To study the new century minority poetry from the perspective of space, not only to clarify the The generation background, narrative art and writing paradigm and other issues, can also explore the significance of writing and the underlying reasons, trends, problems and so on. The main contents of the paper are "Introduction", "the first chapter: the traditional spatial writing in new century" minority poetry, "the second chapter: city space writing" new century minority poetry the third chapter: the minority poetry writing of space mode "in the new century. The introduction includes: the research origin, research significance, research status, research methods are briefly summarized. Discusses the national minority poetry intervention new century space theory, and thus bring new thinking many new discoveries, including the first section. The first chapter: the new century minority poetry" outsiders "writing; section second: new century minority poetry" throbbing "writing. First discusses The national minority poetry by writing to the ode body transformation and background, ethnic cultural consciousness writing and other reasons, and then analyzes the deep-seated reasons of the new century minority poetry written in the traditional space, then analyzes the typical image of "traditional space outsiders" in poetry expression, characteristics and impact of "foreign" the traditional space; finally discusses the "thrill" how to speed up the collapse of the traditional space. The second chapter includes the first section: the new century minority poetry "panic" writing; section second: Minority Poetry "from the" new century writing; section third: new century minority poetry "third space" first of all ethnic minority members. Writing in the traditional space under the background of the reason had to enter in the city space and not adapt to the city caused panic and flee the emotion, then discusses the Why the panic in the new century, the national minority poetry in how to describe the "panic"; finally is the city space in the "escape" image, analyzes why to escape and write the image and where to flee. The third chapter is about the writing pattern of minority poetry in the new century are discussed. Overall, though the new century minority poetry space dedicated to writing, but the minority groups, their anxiety space is also a time of anxiety. Because the minority groups, they are not yet fully accepted in modern preparation under the condition of forced into the operation logic, this caused a lot of not suitable or confused. In the face of this modern anxiety, minority poets may construct the ethnic identity by way of delimitation of traditional and modern space, traditional and modern space of space Comparison of narrative in the minority poetry with the classic "before now." as a characterization of such space, writing in the new century minority poetry will be transformed into the two most basic writing mode: the first section: "in the past, now" writing mode; section second: "other self" writing mode of course., definition and overview of each of these chapters, is only a rough outline of the outline, the inherent complexity of the problem and the multiplicity of forms is far from this paper can include.

【學(xué)位授予單位】：阜陽師范學(xué)院
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.25

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本文編號：1621988