發(fā)布時間：2018-03-16 23:12

  本文選題：漢江流域　切入點：六朝　出處：《南京大學》2017年碩士論文　論文類型：學位論文

【摘要】：六朝時期的磚室墓十分流行,墓磚作為砌筑墓室的必要材料,廣泛出土于這個時期的墓葬之中,附著于墓磚上的各種紋飾就進入了人們的研究視野。就漢江流域六朝時期的墓磚紋飾而言,前輩學者已有研究,然而稍顯不足的是,這些研究成果往往局限于漢江流域部分區(qū)域的某一墓葬或是某些墓葬的墓磚紋飾,并沒有出現(xiàn)系統(tǒng)性和綜合性的研究成果。近些年來,在漢江流域已經(jīng)考古發(fā)掘了不少六朝時期的墓葬,大量墓磚紋飾材料的積累使得綜合研究成為可能。本文將對收集到的這些墓磚紋飾進行解構(gòu),做出分類和分期研究,旨在探索漢江流域六朝墓磚紋飾背后隱藏的歷史信息和社會背景。本文還就考古簡報中,對原有部分墓磚銘文的釋讀,提出了新的看法。論文正文分為五個部分:第一部分:緒論。介紹本文的選題目的和意義、研究內(nèi)容與方法,從空間和時間角度界定了所要研究的對象,總結(jié)學者對漢江流域六朝墓磚紋飾已有的研究成果。第二部分:六朝墓磚出土資料概況。梳理收集到的漢江流域六朝墓葬材料。漢江上游地區(qū)六朝墓葬共11座,大型墓7座,中小型墓4座,時代為西晉至南朝梁;漢江中游地區(qū)六朝墓葬共46座,大型墓4座,中小型墓42座,時代為西晉至南朝梁·,漢江下游地區(qū)六朝墓葬52共座,大型墓26座,中小型墓26座,時代為孫吳至南朝梁。共計109座墓葬。并對墓葬的形制規(guī)模、墓磚紋飾的種類進行簡要介紹。第三部分:六朝墓磚紋飾分類及分期研究。對墓葬所見的紋飾深度解構(gòu),依據(jù)各類紋飾的性質(zhì)特征,將其分為幾何紋飾、佛教紋飾、仙道紋飾、人物故事紋飾、其他紋飾和銘文六大類,同時進行分期研究,可分為四期:第一期孫吳西晉時期、第二期東晉時期、第三期南朝早期、第四期南朝晚期。研究發(fā)現(xiàn):孫吳西晉時期的墓磚紋飾,以各類幾何紋飾為主,除了某種幾何紋單獨出現(xiàn)外,還多以兩到三種幾何紋互相組合的形式出現(xiàn)。東晉時期,波折紋、重圈紋作為墓磚紋飾開始出現(xiàn),大部分幾何紋仍然使用。從南朝早期開始,蓮花紋、忍冬紋和魚紋開始興起,但仍舊使用幾何紋。從南朝晚期開始,使用幾何紋文的種類減少,魚紋不見,佛教紋飾和人物故事紋飾開始出現(xiàn)并流行開來,仙道紋飾中的四神紋較早見于孫吳時期,至南朝晚期則十分流行,而且形式也更加豐富。錢紋貫穿了漢江流域整個六朝時期,并常常與各種幾何紋組合出現(xiàn),或是與蓮花紋和忍冬紋相結(jié)合,只是有是否具備四出線及四出線是否伸出錢廓的細微差別。就墓磚磚銘內(nèi)容來看,指示說明類銘文見于孫吳西晉時期和南朝晚期,但其余四類銘文的時代變化特征不明顯。第四部分:六朝墓磚紋飾的文化內(nèi)涵和時代背景。利用史料,簡要分析六朝時期各個政權(quán)在漢江流域的統(tǒng)治情況,孫吳僅有漢江下游地區(qū),東晉、劉宋、蕭齊和蕭梁擁有的全部地區(qū),陳朝又縮減到漢江下游地區(qū),解釋了孫吳和陳朝的墓葬在漢江流域發(fā)現(xiàn)較少的原因。漢江流域?qū)O吳、東晉的墓磚紋飾差異不大的原因是受到漢魏以來薄葬風氣的影響。南朝時期,由于全國范圍內(nèi)佛教的興起,使得漢江流域此時的墓磚紋飾風格大為轉(zhuǎn)變。因而,造成這個時期墓磚紋飾改變的主要原因是宗教因素的影響。特別是蕭梁時期,以梁武帝為首的上層社會對佛教的信奉崇拜,擴大了佛教的社會影響力。這個時期墓磚上的佛教紋飾急劇增加。除佛教因素紋飾在墓磚上出現(xiàn)之外,道教、儒教因素紋飾也有見到,三教互相融通,佛教占據(jù)主流,反映出六朝時期的文化包容性和思想開放性。漢江流域六朝墓磚紋飾呈現(xiàn)出區(qū)域內(nèi)部的差異。漢江流域六朝墓磚紋飾在繼承漢代的基礎(chǔ)之上,有所創(chuàng)新和發(fā)展,繼而影響到這一地區(qū)隋唐時期的墓磚紋飾。第五部分:結(jié)語。對前面的章節(jié)概況性總結(jié),就漢江流域六朝墓磚紋飾研究情況得出六點認識,并談到了本文的不足之處�？傊�,本文通過對漢江流域六朝墓磚紋飾的綜合研究,從時代背景和文化內(nèi)涵兩方面闡釋了墓磚紋飾發(fā)生變化的原因,這有助于深化我們對漢江流域六朝時期社會歷史風貌的認識。
[Abstract]:The Six Dynasties brick tomb tomb brick is very popular, as a necessary material masonry tomb, unearthed in the period of extensive burials, all decorations attached to the tomb brick on the research into the people's vision. On the Hanjiang River Basin during the period of Six Dynasties tomb brick decoration, researchers these predecessors, but slightly less is a grave these studies are limited in the Hanjiang River Basin in some areas or some tomb brick ornamentation, and no systematic and comprehensive research achievements. In recent years, in the Hanjiang River Basin has a lot of archaeological excavations in the Six Dynasties tomb, a tomb brick decoration materials because of the accumulation of comprehensive research possible. This paper will be to collect these tomb brick decoration deconstruction, make classification and staging research, aimed at exploring the Hanjiang River Basin behind the Six Dynasties tomb brick decoration hidden information and social history King. This paper also archaeological presentation, interpretation of the original part of the brick tomb inscriptions, proposed a new view. The thesis is divided into five parts: the first part: introduction. Introduces the purpose and significance of this topic, the research contents and methods, from the perspective of space and time is defined to be the object of the research. Summary of scholars in the Hanjiang River Basin Six Dynasties tomb brick ornamentation of the existing research results. The second part: the Six Dynasties tomb unearthed materials of Hanjiang River Basin. Brick six tombs combing materials collected in the upper reaches of Hanjiang River. The tombs of Six Dynasties were 11 cities, 7 large tombs, tomb 4 times in small, into the Western Jin Dynasty to the southern Liang in the middle reaches of Hanjiang River; a total of 46 large six tombs, tomb 4 seat, 42 seat in the small tomb, the era into the Western Jin Dynasty to the southern Liang, middle and lower reaches of Hanjiang River six tombs 52 seat, 26 seat in the large tomb, tomb 26 times as small, Sun Wu to southern Liang. A total of 109 tombs and burial. The scale, type of tomb brick decoration are briefly introduced. The third part: and stage of the Six Dynasties tomb brick ornamentation. The depth of ornamentation of the tombs of the deconstruction, based on the nature of all kinds of decorative features, which can be divided into geometric patterns, Buddhist patterns, mystical character story decoration, decoration, decoration and other inscriptions in six categories at the same time, staging, can be divided into four phases: the first phase of the second period of the Western Jin Dynasty, the Eastern Jin Dynasty, third dynasties and early fourth, the late period of the Southern Dynasties. The study found that: the Western Jin Dynasty tomb brick decoration, with various geometric patterns, in addition to some geometric patterns appearing alone, also appeared in the two to three kinds of geometric patterns combined to form. During the Eastern Jin Dynasty, twists and turns of lines, circles as the tomb brick decoration lines began to appear, most still use the geometric pattern. Beginning from the early Lotus, honeysuckle pattern and fish lines began to rise, but still The use of geometric patterns. From the beginning of the period, reduce the use of different geometric patterns, the fish can not see, the Buddhist ornamentation and the character story decoration began to appear and spread, Sendoh decoration of the four gods lines earlier in the Sun Wu period to the late is very popular, but also in the form of more abundant money lines throughout the Hanjiang River Basin. The Six Dynasties, and often appear with various geometric patterns, or combined with lotus and honeysuckle pattern, only have four line and four line is out of money. The nuances of profile brick tomb inscription content, the instructions found in the Western Jin Dynasty and the late Sun Wu, but the changes of the times the characteristics of the remaining four found is not obvious. The fourth part: the Six Dynasties tomb brick decoration culture connotation and the background. The use of historical data, a brief analysis of various dynasties regime in the Hanjiang River Basin, Sun Wu In the lower reaches of Hanjiang River, only the Eastern Jin Dynasty, Liu Song, Xiao Qi and Liang area all have, Chen Chao and cut to the middle and lower reaches of Hanjiang River, explained Sun Wu and Chen Dynasty tombs found fewer reasons in the Hanjiang River Basin. The Hanjiang River Sun Wu, little difference of the Eastern Jin Dynasty tomb brick decoration was of funeral custom by the Han and Wei dynasties. The Southern Dynasties period, due to the rise of national scope of Buddhism, making the tomb of Hanjiang River style changed considerably. Therefore, the main cause of the period of the tomb brick decoration is a change in the influence of religious factors. Especially in the Liang Dynasty Liang period, led by the upper class of Buddhist belief in worship and expand the social influence of Buddhism. During this period muzhuan on Buddhist patterns increased dramatically. In addition to the Buddhist factors of ornamentation in the tomb brick appears on the outside, Taoism, Confucianism has seen three factors of ornamentation, mutual accommodation, Buddha Teach the mainstream, reflects the culture of the Six Dynasties period of inclusiveness and openness. The thought of Hanjiang River Basin Six Dynasties tomb brick decoration showing a difference within the region. The Hanjiang River Basin Six Dynasties tomb brick decoration on the Han Dynasty on the basis of inheritance, innovation and development, and then affect the region during the Sui and Tang tomb brick decoration. The fifth part: the conclusion of the previous chapters. A general summary, on the Hanjiang River Basin Six Dynasties tomb brick decoration research obtains six point understanding, and talked about the shortcomings of this paper. In conclusion, through the comprehensive study of Hanjiang River Basin in the Six Dynasties tomb brick decoration, from the two aspects of historical background and cultural connotation to explain changes in the tomb brick decoration and this will help deepen our understanding of social history of Hanjiang River Basin during the period of Six Dynasties.

【學位授予單位】：南京大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：K878

【相似文獻】

相關(guān)期刊論文 前6條

1 饒春球,李峻;漢江流域近百年考古新探[J];鄖陽師范高等�？茖W校學報;2003年01期

2 陶衛(wèi)寧;隋以前陜南漢江流域的人口遷移[J];漢中師范學院學報(社會科學);2003年02期

3 饒春球,李峻;漢江流域近百年考古新探(續(xù))[J];鄖陽師范高等專科學校學報;2003年02期

4 張中旺;白華云;;漢江水文化探討[J];襄樊學院學報;2007年04期

5 馬加玉;漢江流域的一顆明珠[J];中國穆斯林;2001年05期

6 黃鉞;;水之都[J];散文詩;2010年22期

相關(guān)會議論文 前7條

1 周月華;王海軍;高賢來;;長江上中游與漢江流域旱澇變化相關(guān)性研究[A];2004年湖北省氣象學會年會學術(shù)論文詳細摘要集[C];2004年

2 張翔;黃艷;陳曉丹;羅蔚;;漢江流域產(chǎn)水產(chǎn)沙時空規(guī)律研究[A];節(jié)能環(huán)保 和諧發(fā)展——2007中國科協(xié)年會論文集（二）[C];2007年

3 竹磊磊;;近530年漢江流域旱澇變化分析[A];中國氣象學會2007年年會氣候變化分會場論文集[C];2007年

4 李才媛;諶偉;金琪;;漢江流域面雨量氣候特征分析[A];2004年湖北省氣象學會年會學術(shù)論文詳細摘要集[C];2004年

5 高全成;;漢江流域生態(tài)治理和補償存在的問題及對策[A];大關(guān)中發(fā)展研究（第六輯）[C];2012年

6 李才媛;諶偉;金琪;;漢江流域面雨量氣候特征分析[A];推進氣象科技創(chuàng)新加快氣象事業(yè)發(fā)展——中國氣象學會2004年年會論文集（下冊）[C];2004年

7 袁飛;任立良;袁山水;;未來氣候變化對漢江流域徑流的可能影響[A];農(nóng)業(yè)、生態(tài)水安全及寒區(qū)水科學——第八屆中國水論壇摘要集[C];2010年

相關(guān)重要報紙文章 前10條

1 特約記者 熊建;陳時寶檢查我市漢江流域防汛工作[N];漢中日報;2007年

2 記者 高斌;湖北漢江流域布局“1641”綜合交通[N];中國交通報;2013年

3 丁紅林 吳輝;湖北規(guī)劃漢江流域綜合交通運輸體系[N];中國水運報;2013年

4 記者 杜守雨 通訊員 林萬平;用實干為漢江流域中心城市建設(shè)添磚加瓦[N];襄陽日報;2014年

5 記者 杜守雨;以改革促進漢江流域中心城市建設(shè)[N];襄陽日報;2014年

6 記者 陳棟 杜守雨;努力為漢江流域中心城市建設(shè)再立新功[N];襄陽日報;2014年

7 記者 張瑩 通訊員 金權(quán)申;在加快漢江流域中心城市建設(shè)中依法履職[N];襄陽日報;2014年

8 記者 陳昌東;為漢江流域中心城市建設(shè)提供精神動力[N];襄陽日報;2014年

9 本報記者 徐寶康;韓國漢江流域變成生態(tài)樂園[N];市場報;2005年

10 記者 蘇同敏　通訊員 劉正根;省防總啟動漢江流域Ⅳ級防汛應(yīng)急響應(yīng)[N];陜西日報;2011年

相關(guān)碩士學位論文 前9條

1 庹淵翎;1935年漢江流域特大水災(zāi)及其救濟研究[D];湖北省社會科學院;2015年

2 吉遇;漢江流域六朝墓磚紋飾研究[D];南京大學;2017年

3 王能曉;我國漢江流域生態(tài)保護法律規(guī)制研究[D];西安建筑科技大學;2010年

4 王瑞;明清時期漢江流域中藥材地理初探（1368-1911）[D];暨南大學;2011年

5 袁艷艷;漢江流域降水量的空間插值研究[D];華中科技大學;2013年

6 任利利;1960~2012年間漢江流域的氣候變化特征分析[D];陜西師范大學;2014年

7 殷正雄;水資源及其變化的區(qū)域環(huán)境影響機制[D];華中師范大學;2011年

8 趙鵬杰;基于GIS的漢江流域水文過程研究[D];華中師范大學;2014年

9 付婷婷;漢江流域中下游人—地生態(tài)系統(tǒng)共軛演變研究[D];華中師范大學;2014年

，

本文編號：1622093